How does the "cultured" gorilla, i.e. Koko, come to represent universal man? Author and cultural critic Donna Haraway untangles the web of meanings, tracing what gets to count as nature, for whom and when, and how much it costs to produce nature at a particular moment in history for a particular group of people.
How does the "cultured" gorilla, i.e. Koko, come to represent universal man? Author and cultural critic Donna Haraway untangles the web of meanings, tracing what gets to count as nature, for whom and when, and how much it costs to produce nature at a particular moment in history for a particular group of people.
1987-01-01
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Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.
Almost one hundred years ago, the project to reduce the world to mathematical physics failed suddenly and completely: “One of the best-kept secrets of science,” physicist Nick Herbert writes, “is that physicists have lost their grip on reality.” The world, we are now told, emerges spontaneously, out of “nothing,” and constitutes a “multiverse,” where “anything that can happen will happen, and it will happen an infinite number of times.” Legendary reclusive genius Wolfgang Smith demonstrates on shockingly obvious grounds the dead end at which physics has arrived, and how we can “return, at last, to the real world.” The End of Quantum Reality introduces this extraordinary man to a contemporary audience which has, perhaps, never encountered a true philos-sophia, one as intimately at ease with the rigors of quantum physics as with the greatest schools of human wisdom.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
In Dr. Wayne Dyer's public television special, taped live in front of a thousand fans in Boston's historic theater district, he transforms conventional thinking about making things happen in our lives into a profound understanding of how each person possesses the infinite potential and power to co-create the life he or she desires. To accomplish this, Dr. Dyer takes the audience through a journey into the seven faces of intention - 1: creativity, 2: kindness; 3: love, 4: beauty, 5: expansiveness, 6: abundance, and 7: receptivity. Throughout the program, Dr. Dyer illustrates his points with signature stories that move the audience to tears--as well as abundant laughter.
People are forever using excuses and defending those excuses as if they were actually true. Such statements as 'It would be very difficult for me to change', or 'I'm too old/young to change' are all excuses used regularly without challenging the truth of these thinking habits. When you eliminate excuses that explain your shortcomings or failures, you'll awaken to your infinite possibilities.
This documentary explores the growing American interest in the 1970s in Eastern religions and philosophy. The teachings and lifestyles of ten spiritual teachers and their followers are presented without voice-over narration.
Musings on life and literature in this student drama made by the Cambridge Film Unit.
Light is the first bodily form pays homage to the philosopher of light, Robert Grosseteste. The title is intended to be somewhat tongue-in-cheek since this video was made entirely in the dark, using only a circuit bent Webcam. No additional computer effects were added to the video. The music is the song “Rain Serenade” by Natural Snow Buildings.
A film by Spetsnaz, narrated through a first person perspective, documenting his journey and the journeys of countless other men. "A Documentary Told in Four Chapters. Featuring many favorite content creators & some of the videos that impacted me the most in my journey. This Feature does not take a historical approach but is rather an expression of my experience discovering men going their own way content & the impact it had on my development. It is told from a personal individual perspective. I wanted to make this video to have closure on that chapter in my life & to leave a record of what was & what continues to evolve. The insights & shared experiences of men are more important now than ever. They certainly helped me."
Portrait of Charles Manson. Contains various interviews with J.R. Bruun, Boyd Rice, Nikolas Schreck and other persons with an interest in Charles Manson, inter cut with a barrage of weird clips from movies and television.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
Documentary-maker David Malone delves into the secrets of ocean waves. In an elegant and original film, he finds that waves are not made of water, that some waves travel sideways and that the sound of the ocean comes not from water but from bubbles. Waves are not only beautiful but also profoundly important, and there is a surprising connection between the life cycle of waves and the life of human beings.
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.