Gimp Conway
Sands
Sheik
Womanpower (1926)
1926-09-19
0
A former prizefighter tries to help his son pay off his gambling debts.
A young prizefighter finds himself being squeezed on all sides to throw a fight.
During the flight, the hero of the film, the boxing champion, recalls his life's journey. The hero’s childhood was in the first post-war years. He grew up without a father, his mother was busy with work, his older brother was in prison, the relationship with the new stepfather did not work out, and the boy was brought up on the street. There he learned to fight, and this led him to the boxing ring. Over time, the stubborn street boy became the champion of Europe.
Pat's ability as a logging/mining camp fighter sets him up to box prizefighter Corrigan. Unknown to his supporters, he's actually in collusion with Corrigan to throw the fight - until he runs into reporter Maude.
Sach is given a post-hypnotic suggestion that turns him into a championship prizefighter.
An ex-sailor turned boxer finds romance and gets a shot at the heavyweight title.
Hotheaded laborer B.J. Hammer can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis, a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.
A crusading sportswriter exposes racketeers involved in paying off fighters to throw their matches.
The stooges are the trainers of "Chopper", a beefy boxer, and they bet their bankroll on Chopper to win his next fight. When "Big Mike", their boss, tells them to have Chopper lose or they'll lose their lives, the boys try to soften up Chopper so he'll lose. The fight gets canceled and the stooges have to contend with an angry Big Mike and his goons.
Jealous of her son Oliver's interest in Penelope Mason, Mrs. Newell takes him to a resort where he is easy prey for designing Enid Morton. After some near-disastrous situations with Enid's suspicious husband, Penelope comes to Oliver's rescue at Mrs. Newell's request.
Prizefighter Jimmy Nolan, facing an opportunity to get a championship fight, is knocked out when he sustains what is apparently a permanent injury to his arm. From there, Nolan's path leads downhill. He is drawn into a romance with a nightclub entertainer, then is framed on a theft charge by a jealous suitor. After his prison term, Nolan makes a spectacular comeback in a fight which proves his courage and integrity, while disproving the fallacy about the old sports adage that "they never come back."
Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game.
Nan Reynolds encourages her copywriter husband Bill to open his own agency. Nearly out of business, he finally gets a client. Former girlfriend Patricia Berkeley writes a very successful commercial for the client and neats up their old romance. Wife and girlfriend struggle over Bill.
Director Allan Dwan’s excellent use of New York locations enlivens a rags-to-riches tale that fully exploits star George O’Brien’s championship boxing prowess.
Lulu Belle is singing in a cheap dive in Natchez, Mississippi in the early 1900's when she meets rising young attorney George Davis. He gives up his fiancée and career to marry Lulu Bell. When his money runs out, Lulu Belle goes to work in a New Orleans club run by tough gambler Mark Brady. She tries to send George back to Natchez by pretending that she has fallen for prize-fighter Butch Cooper but George, in a fit of jealousy, drives a handful of forks into Butch's face. He is sent to prison and Lulu goes to New York with millionaire Harry Randolph, who makes her the singing sensation of Broadway and asks her to marry him. She refuses when she learns that George has been released from prison, realizing that he is the only man she ever truly loved.
Young undefeated boxer Terry Dolan, who's been lying to his invalid mother about his career, confides to Maisie that he hates and is terrified by boxing and wants out. Not wanting to let down his best friend and manager Skeets Maguire, who has hopes of him becoming the next champion, he is reluctant to bring up the subject with him. Maisie convinces Terry to tell Skeets, whose unexpected reaction induces him to step into the ring again.
Syd (Syd Saylor)is a punch-drunk, 10th-rate prizefighter who, since his manager can't book him any matches, turns to selling reducing machines for a living. He is trying sell one to a policeman's wife when her husband comes home and gets the wrong impression of what is going on.
A respectable businessman leaves his wife and daughter for the clutches of a cold, heartbreaking female.
Prizefighter Bob Neal (Ray Walker) is in debt to gangster Vic Santell (Hooper Atchley) for training expenses. Santell orders Bob to take a dive in the fourth round so Santell can recoup prior gambling losses. Taunted by his ring opponent, Bob wins the fight. Realizing that his profession and underworld characters connected to it are causing him problems, Bob decides to join the police force. After taking nurse Mary Prentiss (Geneva Mitchell) to a drive-in restaurant where the total bill is a depression-era cheap eighty-two cents, Bob and his fellow officers round-up a gang of fur thieves in a warehouse shoot-out.