The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.
Assistant Mistress
Bailiff
Adèle Hugo, daughter of renowned French writer Victor Hugo, falls in love with British soldier Albert Pinson while living in exile off the coast of England. Though he spurns her affections, she follows him to Nova Scotia and takes on the alias of Adèle Lewly. Albert continues to reject her, but she remains obsessive in her quest to win him over.
LAPD Sgt. Joe Friday -- the equally straight-laced nephew of the famous police sergeant of the same name -- is paired up with a young, freewheeling detective named Pep Streebeck. After investigating some strange robberies at the local zoo and the theft of a stockpile of pornographic magazines, they uncover cult activity in the heart of the city and are hot on the case to figure out who's behind it all.
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.
A subtitle warns, "beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses.
In the street, two young girls play their favorite game: "Would you rather?".
Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque.
Blandine spends her holidays alone in a small campsite at the foot of the mountains. She is quickly overwhelmed by the noise, the crowd and the rain that she was trying to escape for a summer. At the edge of the lake, Blandine meets Helio, a young local journalist.
Short documentary film-portrait of Yaryna Chorhohuz who is an openly bisexual Hospitalier and marine.
A fairy godmother helps a princess disguise herself so she won't have to marry her father.
A young man, whose only possession is a motorcycle, spends his time riding around the city looking for empty apartments. After finding one, he hangs out for a while, fixing himself something to eat, washing laundry or making small repairs in return. He always tries to leave before the owners get back but in one ostensibly empty mansion he meets the abused wife of a rich man and she escapes with him.
Despite a traumatic event, a group of friends decide to go ahead with their annual beach vacation. Their relationships, convictions, sense of guilt and friendship are sorely tested. They are finally forced to own up to the little white lies they've been telling each other.
Bridget Jones is working as a TV host and still dating her new love, barrister Mark Darcy, for a perfect six weeks. But Bridget is jealous of the time Mark spends with a gorgeous co-worker Rebecca and, despite a vacation meant to smooth things over, ends their relationship. On assignment in Thailand with her disreputable ex, Daniel Cleaver - claiming to be a reformed man - they have a short dalliance, and she is arrested at the airport and temporarily jailed on the false accusation of drug smuggling before Mark, seemingly indifferent, comes to the rescue.
To his chagrin, young Marcel Pagnol and his family move back to their home in Marseilles, France, far from their pastoral holiday cottage in the hills. Determined, Marcel makes the long voyage back to the cottage on foot and lands himself in trouble. One day Marcel's father discovers a shortcut to the cottage, but it requires trespassing. Despite their trepidations, Marcel and his family begin using the secret trail to reach their cottage.
Phoenix cop Ben Shockley is well on his way to becoming a derelict when he is assigned to transport a witness from Las Vegas. The witness turns out to be a belligerent prostitute with mob ties—and incriminating information regarding a high-ranking figure.
Clark Griswold is on a quest to take his family to the Walley World theme park for a vacation, but things don't go exactly as planned.
A world of the very near future in which cattle, fish, and even the family pet can be cloned. But cloning humans is illegal - that is until family man Adam Gibson comes home from work one day to find a clone has replaced him. Taken from his family and plunged into a sinister world he doesn't understand, Gibson must not only save himself from the assassins who must destroy him to protect their secret, but uncover who and what is behind the horrible things happening to him.
Now in the Far North (i.e. Milan!), Alberto has accepted to manage a program for efficiency improvement in the Italian Post. He devotes all his time and all his energy to this noble task and neglects his wife Silvia, which of course annoys her beyond limits. Things do not fare much better in Castellabate where it is rather Maria, Matta's wife, who gets on his nerves by always blaming him for his lack of ambition. One day, due to a misunderstanding, Mattia is transferred to... Milan! And on whose doorstep does he land? Alberto's of course!
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
In Seoul in the Republic of Korea, a young couple stands accused of neglect when "Internet addiction" in an online fantasy game costs the life of their infant daughter. Love Child documents the 2010 trial and subsequent ruling that set a global precedent in a world where virtual is the new reality.
An intimate portrait of the nuns of Kala Rongo, a rare and exceptional Buddhist Monastery exclusively for women situated in Nangchen, in remote and rural northeastern Tibet. These nuns are receiving religious and educational training previously unavailable to women, and playing an unprecedented role in preserving their rich cultural heritage even as they slowly reshape it. They graciously allow the camera a never-before-seen glimpse into their vibrant spiritual community and insight into their extraordinary lives. Some shy, some outspoken, all are committed to the often difficult life they have chosen, away from the yak farms and herding families of their birth. It is the story of their spiritual community, one that couldn't have existed 20 years ago but is thriving today.
Alanis Obomsawin’s documentary The People of the Kattawapiskak River exposes the housing crisis faced by 1,700 Cree in Northern Ontario, a situation that led Attawapiskat’s band chief, Theresa Spence, to ask the Canadian Red Cross for help. With the Idle No More movement making front page headlines, this film provides background and context for one aspect of the growing crisis.
LIGHT FLY, FLY HIGH follows Thulasi, a young Indian girl born outside caste, and whose life is in many ways pre-determined. She is expected to marry and accept her place at the very bottom of the social ladder. But Thulasi dreams of a different life. She wants to be free, and enters the boxing ring to fight for independence. Through a sports program, young athletes in India can be recruited into government jobs. Thulasi has talent, but she is held back because of her background. She depends on the head of the boxing club to help her, but he expects things in return. Thulasi has no money and she refuses to be exploited.
Fate brings a young woman to idyllic Karelia in Russia, near the Russian-Finnish border. She meets an old woman, Santra, who represents the only remaining link to the Karelian culture of her ancestors. This film is about the difficulty and beauty of finding a home.
Calling Mr Smith: a 10-minute anti-war film denouncing the destruction of Polish national culture under the Nazis.
The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".
In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.
Documentary on the life and accomplishments of the members of this uniquely talented musical family. The film focuses on the Figueroa family’s history within the context of its creative universe, dating back to the 19th century. Through the use of photographs, historic film footage, recordings, sheet music, newspaper clippings, and posters, the musical trajectory of the family is brought to life and their role in transforming the musical history of Puerto Rico and the world is portrayed.
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.
In 1988, 20-year-old Kirsi Marie Liimatainen travels from Finland to the GDR, to study Marxism-Leninism at the International Youth Academy. In summer of´89 the course ends and the students spread out over the world. Afew months later, the Berlin Wall falls. 24 years later Kirsi, sets out on a cinematic journey to Nicaragua, South Africa, Chile, Bolivia, Lebanon, Germany and Finland to meet up once more with her former fellow students. What remains of their dream of the liberation of the oppressed?
Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.
At the age of seventeen, Irina Chistyakova looks back at an international concert career spanning ten years. Irina is the youngest of the four protagonists of the film Russia's Wonder Children made in 2000. By now seventeen years old, she is going through a drama that many prodigies experience: while they were children, they were able to stun audiences with the contrast of their delicate appearances and precocious talents. Like Irina, Nikita Mndoyants (18), Dmitry Krutogolovy (19), and Elena Kolesnichenko (25), are still showered with praise and distinction. But what price did they have to pay for it?
While Susan B Anthony famously said the bicycle “has done more to emancipate women than anything else in the world”, The Freedom Machine interrogates what freedom looks like for women cyclists. From opening a shiny new bike on Christmas morning to the grind of a daily commute, bicycles hold a multitude of meanings and opportunities for women across the world. Using archival footage from across the UK’s film archives, The Freedom Machine shows the ways women have used the bicycle to find freedom and independence on the road, the race track and beyond. With a soundtrack by sound artist Cat Hawthorn, the film by emerging curator Jo Reid uses archival footage to entwine her personal experiences as a cyclist with the wider struggles and joys women across the world have discovered from travelling on two wheels.
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach.