Vishwanath is a multi-millionaire industrialist, who lives in a palatial house, with his only chid, a son named Vijay. Vijay has been literally born with a silver spoon in his mouth, and indulges in life's temptations and weaknesses to the extreme. Vishwanath would like his son to get married and be responsible. Vijay agrees to get married on condition that his future bride sign an agreement that the marriage is on a trial basis for one year, and thereafter is Vijay does not fall in love with her, the marriage gets annulled. Vishwanath asks his personal assistant, Megha, to quit her job and marry Vijay, but Megha refuses. Megha comes from a poor family, consisting of her mom, two other sisters, and one brother. Written by Shrikant
Vishwanath is a multi-millionaire industrialist, who lives in a palatial house, with his only chid, a son named Vijay. Vijay has been literally born with a silver spoon in his mouth, and indulges in life's temptations and weaknesses to the extreme. Vishwanath would like his son to get married and be responsible. Vijay agrees to get married on condition that his future bride sign an agreement that the marriage is on a trial basis for one year, and thereafter is Vijay does not fall in love with her, the marriage gets annulled. Vishwanath asks his personal assistant, Megha, to quit her job and marry Vijay, but Megha refuses. Megha comes from a poor family, consisting of her mom, two other sisters, and one brother. Written by Shrikant
1999-01-22
5.8
A playboy falls in love with a girl who rejects him because of his vices, but she gives him time to change. After changing his lifestyle, a little boy shows up claiming to be his son.
An ordinary 60 plus couple - Vidhyadhar Patwardhan and his wife are forced to search for their faith in human values and society after the death of their only son Amar. In the process they undergo the most testing struggle of their lives.
When Governor Jaisingh Sinha is murdered, the needle of suspicion points towards his estranged step-son, Sahil. Now Sahil must prove his innocence and find out who the real killer is.
Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.
Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988
A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.
Vasily Muravin, 50, a teacher at the Moscow Institute of Management, is experiencing a crisis. At work, the place of the head of the department is replaced by the more pragmatic, but limited person Valentin Romanovsky. At home, his wife Lida, who earns at work more than her husband, habitually reproaches him for indecision. It’s hard for Muravin to come to terms with his established attitude to himself, but he is most worried when his wife shows disrespect for his main hobby - playing the guitar. Once, unable to bear the bullying, Muravin suddenly leaves the family (wife and daughter) and from work.
About the partisan movement during the Great Patriotic War.
This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.
A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.
In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.
The movie revolves around a guy named Chirag (Parth Samthaan) and his grandmother Kalyani (Aruna Irani) wants him to get married soon. He meets a girl named Devika (Khushalii Kumar) at a wedding, love at first sight situation and then they start dating. Chirag's father Veer (Sanjay Dutt) is a widower and one day he meets his ex-girlfriend Menaka (Raveena Tandon) who is the mother of Devika. Now, one side the kids are romancing, and on the other side, the parents are romancing. What will happen next when they all will come to know about this situation...
Raghu and Zoya are enjoying their lives together until a gang leader with harmful intentions turns their world upside down.
Khogiram and his wife are poor and can barely afford to get school uniforms and books for their children Pinaki and Rimzim. Things worsen when Pinaki misplaces Rimzim's only pair of shoes. Pinaki begs Rimzim not to tell about this to their parents and promises to fix his mistake by coming third in a marathon for which the prize is a brand new pair of sneakers.
Bollywood action comedy film with a lost and found theme, about three brothers separated during their childhood who grew up in three homes, adopting three religions. They meet in their youth to fight a common villain. It was the biggest blockbuster of 1977, and won several awards at 25th Filmfare Awards including Best Actor, Best Music Director and Best Editing.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Separated at birth and peculiarly connected via their reflexes, twins Prem and Raja are reunited with each other as they set out to take down the underground smuggling world.
A shoe-smith Arun Sachdeva is shattered when he discovers that his daughter, Bhoomi has been raped by Dhauli and his gang of three. The father and daughter grieve for a bit before planning revenge.
Mita and Raj Batra, an affluent couple from Delhi’s Chandni Chowk, are grappling with getting their daughter admission into an English medium school. But there is one big problem. Their zubaan is Hindi, and the elitist snobs won’t let the Hindi speaking hoi-polloi fit in.
Anna and Ira prank a local woman by writing her letters from a secret admirer. The prank takes a more serious turn when the local women goes missing,
An inseparable couple Saira and Shiva find themselves in a complicated situation when a stranger claims to be her reincarnated lover from their previous lifetime, hellbent on destroying their relationship and winning her back.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
Years after his father disowns his adopted brother for marrying a woman of lower social standing, a young man goes on a mission to reunite his family.
Kambakkht Ishq is about a stuntman and a supermodel that don't believe in love but through a hilarious series of events they fall for each other.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.
Despite his ambitions to make it big, Beni is still stuck in the hills, bitter and hurt, struggling to make ends meet by teaching music and singing in clubs. Jyotsna, his estranged student and now a Bollywood singer, left the hills 8 years ago. The town is abuzz with the news of Jyotsna's return to perform at a music concert. Beni has to come to terms with the pains of the past and the delusions of the present to deal with both, Jyotsna's presence in the hills and in his life.
Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.