The Women(1966)

Dune(hu)

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

The Last Week of September(it)

Pietro Rinaldi, an elderly writer, widower and tired of life, plans to commit suicide on his birthday. After the sudden and tragic death of his daughter and son-in-law, Pietro will have to look after his teenage nephew Mattia.

Lone Wolf and Cub: Baby Cart in the Land of Demons(ja)

Ogami Itto is challenged by a quintet of warriors, each armed with one fifth of Ogami's assassin fee and one fifth of the information he needs to complete his assignment.

Return(en)

A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.

Monsters 103 Mercies Dragon Damnation(ja)

A samurai's path leads him to a young waitress whose hometown was destroyed by a dragon. He doesn't want any trouble — but it finds them anyway.

Wagakki Band Japan Tour 2019 REACT -New Chapter-(ja)

Return(en)

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

The Return of Godzilla(ja)

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

Godzilla vs. Mechagodzilla(ja)

An Okinawan prophecy that foretells the destruction of the Earth is seeming fulfilled when Godzilla emerges to return to his destructive roots. But not all is what it seems after Godzilla breaks his ally Anguirus's jaw. Matters are further complicated when a second Godzilla emerges, revealing the doppelgänger as a mechanical weapon.

The Return(en)

After twenty years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king has finally returned home, but much has changed in his kingdom since he left to fight in the Trojan war.

Kamen Rider W Returns: Kamen Rider Accel(ja)

While settling into married life with Akiko, Ryu is brought into a case involving a woman named Katsuragi Aoi, a member of a pickpocketing ring with most of her teammates murdered from unknown masked vigilantes that Ryu fought as Accel. As the details of the case begin to unravel, Ryu is framed and Akiko believes that he may not be faithful to her. As the clock ticks down, Ryu must solve the case, clear his name, and save his marriage before everything comes to an explosive end!

Saturn Return(es)

A rock band has to record their third LP, which will either propel them to stardom or fade into oblivion. Despite executives’ reservations, their idea is to have the recording take place in New York. But everything complicates, and the creative process turns into a hellish ordeal. A love triangle with all its consequences unfolds, band members desert, romantic relationships shatter, rehearsals become rampant with drugs and alcohol, and the unbearable pressure from the record label leads to endless fights and arguments only interrupted by fleeting moments of happiness. Meanwhile, unknowingly, they will be composing an album that will leave a mark on an entire generation.

Hello, Moscow!(ru)

At the amateur talent show the boy, accompanying himself on the accordion, sings a song about Moscow... The plot of the movie is based on the story of the director of the school about how this accordion, once belonging to a cadre worker who died during a demonstration in 1905, has been in many hands before it got to the guys.

Ip Man: Kung Fu Master(zh)

Ip Man’s promising career as a Policeman is ruined after he is framed for murder and targeted by a mob boss’s daughter.

Making Of(fr)

Simon, a well-known French filmmaker, starts shooting his next film. A story about workers fighting to protect their factory from being relocated. But nothing goes as planned... His producer Viviane wants to rewrite the ending and is threatening to cut the budget; his own crew goes on strike; his personal life is in shambles; and to make things worse, his lead actor Alain is an egocentric jerk. Joseph, an extra who wants to get into the film industry, agrees to direct the making of and shoot the behind-the-scenes. He takes his role very seriously and starts following around the crew, capturing all this mess... What follows is proof that the making of can sometimes be far better than the film itself!

National Family(es)

Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.

Old Man Junior(en)

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

La Syndicaliste(fr)

The true story of the Irish national Maureen Kearney- head tradeunion representative-turned-whistleblower of a French multinational nuclear powerhouse. After denouncing top-secret deals that shook the sector, Kearney’s life is suddenly turned upside-down when she is violently assaulted in her own house.

Return(en)

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

Bloody Chainsaw Girl Returns: Revenge of Nero(ja)

Giko Nokomura is a female student at Nightingale Academy, who carries around her very own chainsaw. One day she begins to be attacked by modified corpses created by one of her classmates, Nero Aoi . She tears her way through the corpses and busts into Nero's hideout. Why is Nero so intent on attacking Giko?! The reason will shock you!After her battle with Nero, she encounters a new enemy. It's the leader of the Nightingale Academy Student Council Guardians, Nemesis.

Rewinding Dominoes(en)

In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.

Kids On Ice(en)

Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.

Copa 71(en)

The extraordinary story of the 1971 Women’s World Cup, which was held in Mexico City and witnessed by more than 100,000 fans. This landmark tournament was dismissed by FIFA and written out of sports history – until now, with dazzling archival footage and interviews with the former players.

Red Christmas: Making 'Better Watch Out'(en)

Behind the scenes documentary on the making of the film "Better Watch Out" (2016).

Classic Albums: The Doors - Morrison Hotel(en)

Documentary about the making of The Doors’ album Morrison Hotel, considered by many to be one of the greatest resurrection albums of all time. Released in 1970, opening with its iconic guitar lick from the breakout hit Roadhouse Blues, the album sold a million copies in less than 3 days.

Rojek(ku)

After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.

The Biggest Little Farm(en)

The successes and failures of a couple determined to live in harmony with nature on a farm outside of Los Angeles are lovingly chronicled by filmmaking farmer John Chester, in this inspiring documentary.

They Fight: Our Breasts, Our Weapons(fr)

Born in Ukraine in 2008 in the wake of the "Orange Revolution," the feminist movement Femen fights for democracy, freedom of the press, women's rights, and against corruption, prostitution, sexism, racism, poverty, and religion. The activists quickly caught the attention of the media with their shocking protests. In 2012, at the creation of Femen France, Caroline Fourest followed their actions. They notably affirmed their support for "Marriage for All" by protesting on November 18, 2012, during the demonstration organized by the Civitas Institute against the bill, provoking sharp clashes.

David Bowie: Finding Fame(en)

Coming 50 years after the release of Space Oddity, the 90-minute film explores the Bowie before Ziggy Stardust, following the period from 1966 when he changed his name from David Jones to Bowie. It includes footage from the BBC Archives including footage of a BBC audition in 1965 of David Bowie and the Lower Third, which included a performance of Chim-Chim-Cheree and Baby That's A Promise.

You Have Struck a Rock!(en)

You Have Struck A Rock! commemorates the special contribution of South African women to the success of the anti-apartheid struggle. It recovers the remarkable "women's campaigns" of the 1950s against the hated pass system. This massive, non-violent civil disobedience movement was only finally crushed by the 1960 Sharpeville Massacre and the banning of anti-apartheid organizations. Lilian Ngoyi, Helen Joseph, Dora Tamana and other leaders recall this struggle and their imprisonment and banning. Yet they remain undaunted, demonstrating the South African proverb: "When you have touched a woman, you have struck a rock."

The Elephant Queen(en)

Embark on an epic journey of family, courage, and coming home in this feature-length documentary. Join Athena, the majestic matriarch, as she leads her elephant herd across an unforgiving African landscape filled with vibrant wildlife.

The Discreet Françoise Hardy(fr)

Sensitive lookback on Françoise Hardy's career and life.

Voyage à Tombouctou(fr)

King of Swashbuckler: Life of Tsumasaburō Bandō(ja)

A biographical documentary produced as part of the 20th anniversary project of the silent film appreciation society led by Shunsui Matsuda, who was known as a silent film narrator, film collector and exhibitor. The film features interviews with directors and related parties involved in the production while inserting scenes from period dramas starring Tsumasanburo Bando throughout from Matsuda’s extensive collection. Completed in 1980 but not released to the general public until 1993 on the 40th anniversary of Bando’s death and Matsuda’s seventh anniversary.

Fannizadeh(fa)

Fanizadeh documentary is about the famous actor of Iranian cinema Parviz Fanizadeh. This documentary film deals with his life and works. This documentary is based on the talks of characters from theater and cinema who worked directly with him. Among them there are Taghvai, Mehrjoui, Golestan, Kimiaiee, Nosrat Karimi, Behrouz vosoughi, Pari Saberi, etc.

Play Dead!(fr)

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

Passion Plays(de)

An annual battle of Dresden’s culture of commemoration and the question of authority to interpret history breaks out.

Backlash: Misogyny in the Digital Age(fr)

This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.

Unthinkable: The Susan Smith Story(en)

Hear from the prosecutors who handled Susan Smith's case and why authorities doubted her story from the beginning. The boys' father, David Smith, talks about why he believes 30 years in prison isn't long enough for Susan and what he's prepared to tell a SC Board of Pardons and Paroles to keep her behind bars.

143 Sahara Street(fr)

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.