A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.
A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.
1997-04-24
8
A grand and mythical landscape tries to get rid of its past. A cleansing, a rebirth on celluloid. - IFFR
Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany
The SD Gundams are at it again: first with a race among all of the prior SD Gundam characters, then the SD Zeons run a space travel agency in the second episode.
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A precious work of art from the Italian Renaissance is stolen and passes through many hands before ending up in the shed of the farmhouse of Mr. and Mrs. Dujardin, fishmongers, who are inaugurating their luxury fish shop that very day. But the antique dealers, the free-riders and the bargain-hunters are there. They are jealously careful not to pass on the fruit of their clever investigations to their rivals, for all of them, after a picturesque treasure hunt, know that the Dujardin family own the famous Duranti altarpiece. But where have they hidden it themselves?
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A writer can't get past a producers outrageous suggestions for her new project
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Set in 1896, "Tjoet Nja' Dhien" celebrates one of Indonesia's great heroes who fought for independence from the Dutch. The pious Muslim people of Aceh, a city that had flourished since ancient times as a trade port, enter into a fierce war with the Dutch. Tjoet Nja' Dhien, the widow of a rebel leader operating in Aceh in Sumatra, assumes the leadership when her husband Teuku Uma is killed in an ambush. Dhien's charismatic presence and power of survival motivate the locals to join and later continue their opposition to the Dutch. Despite personal obstacles, she remained in the thick of the struggle for ten years.
Mamu, a young immigrant, is trying to woo his date, a Finnish lady, by making dinner for her. Once the meal is served, she discovers that the main course is a bit too “excotic” for her taste.
Jean and Julie meet again ten years after childhood. Jean has trouble recognizing the grown up girl. Julie is "promised" to Henri, a neighbor. Julie, scathing and capricious, provokes Henri and Jean.
Gagan (Uttam Kumar) did not like to socialise while his wife Chitra (Sumitra Mukherjee) loved attending parties. One day Chitra's friend Lola invited her to a party. In the meanwhile the Kolkata Book Fair took off and Gagan wanted to go. Savitri (Moushumi Chatterjee) lived with her uncle from an early age. One day her uncle sold her for some money from where Savitri escaped and took shelter in Gagan's house. When Gagan's wife saw Savitri in Gagan's reading room, she went to her grandfather's house. Gagan and Abalakanta (Santosh Dutta) helped Savitri learn etiquette and the ways of genteel society.