After learning kinetic art in France, Matilde Pérez (1916-2014) returned to Chile in 1961 to practice this trend but found herself ahead of her time. The testimonies of specialists and friends to Matilde generate a provocative speech about a culturally deficient country, narrated through the rescue of the work and the life story of an artist who questioned the established and was condemned to isolation.
2013-11-23
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