
York University alumni Mandi Gray is forced to grapple with a university administration, legal system and police force unwilling to take seriously her report of rape by a fellow PhD student.
Mustafa Uryurgar
Lisa Bristow
Jennifer Lofft
Herself
6.7Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
7.8Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
Performance artist Tasha Diamant is the first person in the world to stand naked on the street with the Extinction Symbol, which she started in 2012. This mini-doc was shot in 2019 in Montreal. Her work confronts privilege, capitalism, state oppression, obliviousness, whiteness, to name a few. Ask yourself: why 10 cops?
4.0“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.
7.0A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
A portrait of the leading female Bolshevik (and later Worker’s Opposition) revolutionary leader Alexandra Kollontai using her own words.
6.5Against the stereotypes of the “ideal” woman and the symbols of Pornography, the women in the works of Greek comic artist Stavros Kioutsioukis preserve their personality: they are the girls next door who try and get their rights in Happiness and Love.
0.0A documentary exploring sexism and patriarchy in Kosova.
After a woman’s silent rage erupts into a fight post-coitus, a women’s group analyzes her refusal to stay passive. Another scene shows a woman’s despair when her lover misses their meeting, prompting the group to reject passive waiting. Together, they combat issues like rape, prostitution, and abortion rights (§218) to reclaim self-determination.
0.0"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.
0.0Documentary consisting of archival footage that depicts the evolving conditions of Italian women during the first half of the 20th century.
0.0On September 7, 2012, Ashley MacDonald was sexually assaulted. In this powerful first time film, she talks to strangers about what that same day looked like in their own lives. What were they doing? What happened to them? The result is a documentary about processing trauma, and the power of openness and connection to help us heal.
8.5Rock'n'roll was a man's world they say. The film documents the often ignored female impact on rock's history, from the groundbreaking guitar stylings of Memphis Minnie and Sister Rosetta to the gnarly singing of Big Mama Thornton. Musicians as different as Suzi Quatro and Kristin Hersh tell about their experiences on and off the grid of stardom and the music industry.
8.0A documentary that proposes a conversation about the way children are praised. While girls are often praised solely for their appearance, boys can receive compliments by highlighting their skills. "Rethink the Praise" reflects on the power of words and culture that has brought an imbalance in the way we commend our boys and girls.
0.0POLICE OFFICER JIM BYRNE, Canada's most honoured Safety Education Specialist brings you his famous TEN RULES, with which he has personally tested more than 25,000 students. Learn key strategies now taught in many schools and used by police working with the full NEVER BE A VICTIM Institutional Study Program. Develop your own personal streetproofing skills so you can train and test your family. Robert Gordon, who created this remarkable program in partnership with Metropolitan Police introduces this family video library against a backdrop of today's troubled society. TEACHING LIFE SKILLS FOR A SAFER COMMUNITY OFFICER JIM'S TEN RULES FOR STREETPROOFING • STRANGER MYTHS • ABDUCTION • BEING FOLLOWED • DANGEROUS PLACES • AVOIDING CARS AND VANS • GOOD TOUCHING-BAD TOUCHING
5.7Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.
0.0Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
5.3Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.
0.0Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.
A Woman's Place is the first film about the UK women's liberation movement. Crockford and her co-producers Ellen Adams and Tony Wickert document the movement's first national conference and march and examine its demands. The film records impassioned discussions and speeches, as well as the humour of the marchers. It also includes interviews with members of the public who give their perspective on women's liberation Crockford made the film as an attempt to see 'whether other people could be engaged by what I believed in'.