Homo Sapiens Project (100)(2013)
HSP 100 is a portrait of experimental filmmaker Maximilian Le Cain. As Le Cain discusses his life, work and relationship with cinema, Rashidi envelops him in a hallucinatory audio-visual ambiance that ultimately results in a poetic dialogue with the ideas and feelings he expresses.
Movie: Homo Sapiens Project (100)
Top 1 Billed Cast
Video Trailer Homo Sapiens Project (100)
Similar Movies

i will grow old, and what will i remember?(en)
A meditation on childhood, loss, and the desire to recreate one’s innocence; the recalling of memories.

Hummingbird(es)
Could film gelatin, a 16mm film camera, 3 lenses and film developing chemistry experimentation act as messengers between the spirit and the physical world? a one day trip to the remote town of Panguipulli (Chile) seeks to explore possibilities and to also expand on the power of audio frequencies as a healing instrument. A manifestation of the hummingbird movement? A connection between mind, landscape, sound, latent image? A replication of Rukapillan volcano’s intermittent flows of magma through fissures on the earth’s surface? -Colibri- erupts 16mm single frame experiments & bursts smoke and sonic healing vibrations

The Beaches of Agnès(fr)
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

La tierra violada(en)
“Rape is a precise political program: the skeleton of capitalism, it is the crude and direct representation of the exercise of power.” Virgine Despentes

That's Life(fa)
Nima Yooshij (Iranian poet) for his son’s 1st birthday. He says: “my son, by now, you have seen a spring, a summer, an autumn and a winter. From this point on, everything is simply a repetition except kindness.”

Sublapse Video Mag 1(en)
Video Fanzine featuring: Half Japanese, Redd Kross with Sky Saxon as Purple Electricity, R Kern, Sonic Youth, White Flag, Psycho Daisies, Charlie Pickett, Nick Zedd, Morbid Opera More R&R, Film, Prose. Pencil numbering indicates there was a run of 600 tapes.

Grid(pt)
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

FUCK TV(en)
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Running Fields II(en)
Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

Running Fields III(en)
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Running Fields IV(en)
Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

Afloat(en)
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.

Ballet Mécanique(fr)
A pulsing, kaleidoscope of images set to an energetic soundtrack. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden.

Mysterious Object at Noon(th)
A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story.

A Little Love(en)
Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.

good boy(en)
The author's erotic imagination is mixed between desire and magazine clippings, and the trade of collage becomes a ship that travels from outer space to the city itself.

Wenn wir blinken können wir das Rauschen sehen(xx)
A camera rotates around the same four towers. Seasons, weather conditions and the positions of the camera change over the course of the film. The sound goes round in circles and drifts in variations.
Deshilando Luz(es)
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Some precious things(pt)
During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.