
Don't Look Now: Death in Venice(2006)
An interview with composer Pino Donaggio about his score for the 1973 film DON'T LOOK NOW.


Movie: Don't Look Now: Death in Venice
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A feature-length documentary on the life and work of jazz musician and composer Krzysztof Komeda.
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8.0Music by John Williams(en)
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7.1Score: A Film Music Documentary(en)
Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.
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On Scoring Cops and Helping Silent Films Live Again(en)
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Singin' in the Rain, Strangers in the Night, What a Wonderful World: accompanied by the Czech National Symphony Orchestra, conducted by maestro Jochen Rieder, tenor Jonas Kaufmann interprets a century of great film music.
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Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?
9.325th Anniversary Studio Ghibli Concert(ja)
Concert held on August 4, 5 and 6, 2008 at the Nippon Budōkan hall in Tokyo to commemorate both the Japanese theatrical release of Ponyo (2008) and the 25 years of musical collaboration between composer Joe Hisaishi and filmmaker Hayao Miyazaki.
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8.4John Williams in Tokyo(ja)
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7.0The Act Of Dying(de)
Nicolas Cage dies all the way from Hollywood to Direct-To-DVD.
6.7Workers Leaving the Lumière Factory(fr)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
5.9The Fabulous Ones(it)
It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.
