Chandrika(1950)
Chandrika, the only daughter of the rich industrialist Janardanan Pillai falls in love with Gopi, the son of the maid servant. Gopi is aware of his social status and keeps away from Chandrika. But Chandrika does not leave him.
Movie: Chandrika
Top 10 Billed Cast
Gopi
Shankar
Vimala
Similar Movies
Godha(ml)
In a rustic village in Kerala, a group of old wrestling aficionados led by "Captain" Das is at odds with the youth of the village who are more into cricket. Though a former wrestler himself, the Captain's son Anjaneya is also part of the cricketer gang. Anjaneya is forced to go to college in Punjab by his father and there his paths cross with a Punjabi girl Aditi who's coincidentally also a wrestler. Due to unforeseen circumstances both of them end up returning to Anjaneya's village in Kerala.
Jeevitha Nouka(ml)
Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.
Pallikkoodam(ml)
The story of "Pallikkoodam" travels through the realities and imagination of a 12 year old boy named Althaf , hailing from a lower middle class family.
Newspaper Boy(ml)
Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.
Kochavva Paulo Ayyappa Coelho(ml)
Ayyappa, a schoolchild, strongly wishes to travel by an airplane. A swimming trainer helps the child achieve his dream through his optimistic and practical ways.
Nadodimannan(ml)
In Nadodimannan, Padmanabhan plays a village youth who does not have a particular inclination towards any political party and joins any protest being held. He earns a living by participating in demonstrations for various political parties. He then reaches the city where he is strung to the upper levels of society and gets elected as the Mayor. His conflicts and attempts to cleanse the city form the rest of the story
Camel Safari(ml)
Dia(Pankaja Menon) heroine of the movie is a management student in Mangalore. She and four of her friends(Catherine, Hashim, Yamini and Chinna Gounder) visits Rajasthan for 15 days to attend a marriage. There she meets a Rajput boy Pavan(Arun Shankar) and falls in love with him. What happens to her there after that in that unknown land makes the content of the film.
Kummatty(ml)
A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.
Report to Mother(ml)
Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.
Vishudhan(ml)
Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.
Nadan(ml)
Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.
Munthirivallikal Thalirkkumbol(ml)
Panchayat Secretary Ullahanan leads a monotonous life till a college reunion rekindles excitement in his 20-year-old marital life and infuses in him a renewed sense of purpose and love for everything that he once took for granted.
Ohm Shanthi Oshaana(ml)
Pooja Mathew, a spirited young girl, wants to have a love marriage in her life. Thus, she stops at nothing to impress Giri, who saved her once from a group of unruly men.
Kanchana Sita(ml)
The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.
2 Penkuttikal(ml)
2 Penkuttikal discussed the issues faced by young girls and women in our society. Achu and Anagha are close friends, who decide to bunk their class to visit a mall in the city.Their visit to the city changes their life and what happens next form the crux of the film
Kavi Uddheshichathu..?(ml)
Kavalam Jimmy and Vattathil Bosco are rivals from their school days and Minnal Simon always tries to benefit from this situation.Three of them have their own intentions and they back stab each other to attain their own aims.
1971: Beyond Borders(ml)
Set against the backdrop of 1971 Indo-Pak war, the movie is inspired by real incidents and the protagonists are inspired by Param Vir Chakra recipients. The movie shows what consequences of war are on the lives of soldiers on either side of the border.
Sexy Durga(ml)
Anxious Durga and her friend, Kabeer are running away from their village at midnight. On the same night there is a huge festival happening at the village temple where Goddess Durga is being worshipped. Devotees are offering their body and mind to please their Goddess. At the same time the woman, Durga, faces complete darkness of the night on the highway. Some drivers offer help to Durga and Kabeer to reach the railway station. Their journey filled with darkness and agony is mystical. Devi Durga is the Goddess of power but what about the woman Durga who is in the midst of darkness?
London Bridge(ml)
Vijay's marriage is fixed to Pavitra, the daughter of a wealthy man. Things take a turn when Vijay accidentally meets Merin and falls in love with her.
Jomonte Suvisheshangal(ml)
A wayward youth of a rich father, Jomon is a carefree youngster who doesn’t care about ‘being responsible enough’ for his age. When the family lands in a financial soup out of the blue, a different side of the youngster surprisingly emerges.