Dazzling, brash and dynamic, yet equally graceful and poetic. DIVINING was Judith Jamison's first major work as a choreographer for Ailey, evoking a strong feeling for African tribal ritual, is set to hauntingly rhythmic drum music. REVELATIONS, often describes as the company's signature tune, has become an American classic. It expresses Ailey's intense feelings for his roots, with Ailey's vivid "blood memories" of the blues, spirituals, gospel music, ragtime and folk songs as well as the hard life of the Southern black during the Depression. Set to Modern Jazz, THE STUCK-UP takes place in modern-day Harlem, about the cruel reality of urban street life as a young man is destroyed by drugs. CRY, choreographed by Alvin Ailey in 1971 for Judith Jamison, is one of his most famous pieces. Created as a birthday present for his mother, it is Ailey's tribute to black women and inspires moving emotions with its portrayal of struggle, anger and most importantly, its feeling of celebration.
Alvin Ailey played a key role in the growth of modern dance in USA and his company, founded in 1958, is one of the USA’s oldest dance troupes as well as one of the most youthful and vital on the dance scene. In this two-part program, members of Ailey's dance company celebrate his memory by performing three works choreographed by Ailey himself, as well as a special ballet tribute choreographed by Ulysses Dove. Each piece is introduced by Judith Jamison, the dancer and choreographer whose career was nurtured to stardom by Ailey, and who was, at the time of this production, Artistic Director of the company. The Alvin Ailey Dance Theater is uniquely eclectic in range, repertory, and style. As a choreographer, Ailey explored the black experience and went beyond, finding universal human truths in all his work.
Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.
The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance.
About two key pioneers of Swedish dance in the 1900s: Birgit Åkesson and Birgit Cullberg. Both were born in 1908 and became choreographers who made a big impression in the international dance history. Birgit Åkesson, in the serious "Fertility" directed by Alf Sjoberg, debuted in 1934 in Paris. She was co-designed the European avant-garde modern dance language, and created in the 1950s and 1960s, legendary works for the Stockholm Opera together with others including composer Karl-Birger Blomdahl and Erik Lindegren as librettist. Birgit Cullberg gives a much more relaxed and humorous impressions in "Antonius & Cleopatra", directed by Gerd Osten. Cullberg got her big break as a choreographer a few years in "Miss Julie" in 1950. After spending some time abroad Birgit Cullberg returned to Sweden and formed in 1967 the Cullberg Ballet, which she led until 1985. Topsy Håkansson, who performs the role as the gypsy.
In Japanese theater, women's roles are traditionally played by men. The man playing the woman's role, the Onnagata, does not imitate the woman, as in the West, but tries to capture her significance. He need not stick close to his model, but draws far more from his own identity - a shift of value takes place, which is nonetheless not a step beyond. THE WRITTEN FACE is an attempt to offer an insight into the Japanese Kabuki star Tamasaburo Bando, one of the last defenders of this ancient and disappearing performing tradition.
The Cloud Gate Dance Theatre of Taiwan performs their elegant Tai Chi-based dances to the music of J.S. Bach. Choreography by Lin Hwai-Min. This dance film examines the correlation between essence and appearance, effort and effortlessness, man and woman , all explored using water, mirror, light and reflections.
“Butoh,” literally “dance of darkness,” is an avant-garde form of dance from Japan that few know about, and even fewer practice. As its only practitioner in Singapore, Xue tells us how she fell in love with this obscure, yet liberating, art form.
Mudra Afrique, founded in 1977 in Dakar by Léopold Sédar Senghor and Maurice Béjart, was an important dance school that mixed traditional African dance with modern styles. Germaine Acogny, a skilled teacher, along with dancer, actress Irène Tassembédo and musician Doudou Rose Ndiaye, were key figures in the school. Their work helped Mudra Afrique leave a strong mark on African contemporary dance and music.
Night club owner Dan Moore is trying to collect a debt owed to him by playboy Reggie Van Dorn, but Reggie is a playboy with no money but lots of social connections. In lieu of the cash, Dan gets Reggie to introduce him to the swells of high society. They go to the opera and, after hearing Yvonne Malloy sing, Dan falls in love with her. Reggie introduces them, but the introduction is to Yvonne's double and stand-in, Toots. This leads to many complications for all concerned.
Take a walk on the wild side as Penthouse presents your favorite Penthouse Pets in tantalizing musical vignettes featuring the sizzling sounds of one of today's hottest rock bands.
An epic Love story in which two lovers Heer and Ranjha get along with each other but unfortunately their Love story is not easy. Ranjha fights his way to get Heer but he is not able to do so.
Atmospheric soundtrack follows this compilation of nature footage that focuses on the ocean and various life forms that live, mate and die in it.
Eddy Arnold, singing star of the Ace Lucky radio program gets involved when Ace's equipment for a television program is destroyed by a fire. Aces accepts the sponsorship of social-climber Lucille Upperworth, who tries to revamp the western/hillbilly music format to classical music.
Outside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against The Machine to storm the stage.
Romantic teen caper has a college boxing champion and a career-challenged ventriloquist defying tradition when they compete for favors to win over two rich and beautiful sisters.
In Benjamin Britten's operatic adaptation of Henry James' masterwork, a naive governess (Helen Field) arrives at a country manor and soon discovers that it holds a murky secret involving her charges and two ghostly servants who wield a sinister influence on them. The taut, atmospheric production also stars Sam Linay, Machiko Obata, Menai Davies and Phyllis Cannan, with the Stuttgart Radio Symphony Orchestra providing accompaniment.
Eusexua is a practice. Eusexua is a state of being. Eusexua is the pinnacle of human experience. A surreal exploration of human sexuality, vulnerability, and connection, where visual aesthetics, expressive choreography, and evocative symbolism create an immersive experience that invites reflection.
Yukichi Matsumoto's 2013 stage adaptation of Shuji Terayama's "Lemmings". Two cooks share a room, one of which talks with his mother's head: it lives beneath their tatami mats. On the other side of their room's wall, lives a wife who desperately cares for her feverish husband. As more and more walls are tore down movie studios, hospitals and prisons are revealed, destroying the physical boundaries between their boarding house and the city.