A voice-over artist is haunted by a past relationship as she sinks deep into the isolation of a recording booth.
Voice-Over Artist
Frank
Ex-Boyfriend
Voice of Ex-Boyfriend
Tom
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
A little girl home alone finds herself face-to-face with pure evil.
Yazmín and Zenaida, daughter-in-law and mother-in-law, live awaiting the arrival of their husbands. Time that will reveal infinite possibilities.
Like fertile land, children learn from their environment, trees as their wise teachers pass on their teachings. We are all the earth.
Beckett created a significant number of animation loops which display his playfulness and also evidence his process as many are variations of ideas and images that he used in his animations. Thirty-one loops are included, selected to show the variety of approaches as well as his intriguing results. - Pamela Turner
A machinist with the ability to harness time itself must choose between assisting his criminal employers or taking matters into his own hands.
A fractured image of the last days of marriage between a man and his Latina wife.
An intrepid intern confronts a painful reality on her first day at a prestigious new job.
A freelance investigative journalist makes an insidious discovery.
Two ambitious primatologists and their small team of researchers are funded for an 8 week research trip into the depths of the Northern Cascades to find what they believe is the truth behind the legend of Sasquatch.
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A couple goes mountain hiking together with friends, unaware of the drama that will unfold.
Eric has finally got a job as a security guard at a supermarket. But it turns out to be more complicated than expected.