

Olavi Koskela, a ladies' man, joins the loggers. As a log driver, Olavi travels from place to place, seducing one girl after another and then abandoning them. Only Kyllikki, the daughter of a wealthy family, is able to resist his advances and incites him to challenge another log driver to a race down the rapids. Through Kyllikki, Olavi is forced to face the consequences of his actions and reflect on the meaninglessness of his life.
Olavi "Olli" Koskela
Tuomenkukka
Olavi's mother
Annansilmä
Lady in the restaurant
Pihlajanterttu
Kyllikki Moisio
Elämänlanka
Olavi's father
Gaselli

Olavi Koskela, a ladies' man, joins the loggers. As a log driver, Olavi travels from place to place, seducing one girl after another and then abandoning them. Only Kyllikki, the daughter of a wealthy family, is able to resist his advances and incites him to challenge another log driver to a race down the rapids. Through Kyllikki, Olavi is forced to face the consequences of his actions and reflect on the meaninglessness of his life.
1971-10-29
5.1
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10.0The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.
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