Korn Live is a double DVD live release that was recorded in the Hammerstein Ballroom at Manhattan Center Studios during their 2002 "Untouchables" tour. It also features some live tracks from their self-titled album, and albums "Life Is Peachy", "Follow The Leader", and "Issues", as well as part of their cover of Metallica's "One" that was later performed for 2003 Metallica's "MTV Icon" special in its entirety. The second DVD features the same show, but from alternate angles, as well as some behind-the-scenes material.
Korn Live is a double DVD live release that was recorded in the Hammerstein Ballroom at Manhattan Center Studios during their 2002 "Untouchables" tour. It also features some live tracks from their self-titled album, and albums "Life Is Peachy", "Follow The Leader", and "Issues", as well as part of their cover of Metallica's "One" that was later performed for 2003 Metallica's "MTV Icon" special in its entirety. The second DVD features the same show, but from alternate angles, as well as some behind-the-scenes material.
2002-11-19
8.5
With raucous videos, rare footage of the guys on the road and exclusive interviews with the band, this Pantera collection is a must for aficionados of the popular heavy-metal group. Videos include Cowboys from Hell, I'm Broken, Drag the Waters, Mouth for War and Primal Concrete Sledge. Also contains footage of Pantera wowing the crowd during a performance at the Monsters of Rock Festival in Moscow.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Suraj and Aman are best friends who would die for each other. Suraj's father is brutally killed by a cop for stealing a bread to feed him. Suraj and Aman then take the life of crime to con people when they grow up they come across Pasha a drug lord and Suraj gets fascinated by his lifestyle. Aman meets Asha a club singer and both fall in love. Suraj and Aman get a contract from Pasha to kill Vicky whose testifying against him But Aman finds he is brother of Asha and decides to give away the life of crime and turn a police informer. While Suraj has become a big name in drug world and wants Pasha's throne. Suraj and Aman then part ways and Suraj blames Asha for everything and wants her dead.
Jacob’s dream is to be a rap artist, so he works on a song that will give him the big breakthrough. To his big frustration, his dreams are tested every time his roomie Adam gets a visit from his girlfriend Frederikke. And through a journey of unforeseen events Jacob meets additional challenges that test his working discipline.
A woman sets out a well-intentioned plan of bringing her dysfunctional family together in the wake of the family's matriarch, her mother-in-law.
A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.
A young boy falls asleep in class as we follow his strange dreams the end of the world falls upon us and all the beans in the world except one is left.
About a notorious Connecticut convicted rapist.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
Jakob thinks that everything is going well with his girlfriend, but the relationship ends abruptly. He can not put her behind him, even if a new girl enters the picture.
A young psychic experiences a horrifying vision during her walk home.
Trial by Fire: A Carrier Fights for Life (1973) was produced by the United States Navy to educate Navy personnel on how to prevent fires and how to control them when they break out on a carrier at sea. The film includes actaul footage of a carrier on fire and the brave crew that worked to extinguish that fire before it became a disaster. Note: There is a background hissing noise on the audio soundtrack from the original film. This film has a runtime of approximately 19 minutes.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
On the border of Washington DC, two stories of big dreams take place – a family is determined to turn their 1000 pound pig into the Redskins’ football team mascot, and two teenage fathers scheme a better life for themselves and their children.
The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.