Reticulum Rex(2003)

Nothing to Hide(en)

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.

Good Copy Bad Copy(en)

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

Paywall: The Business of Scholarship(en)

Paywall: The Business of Scholarship is a documentary which focuses on the need for open access to research and science, questions the rationale behind the $25.2 billion a year that flows into for-profit academic publishers, examines the 35-40% profit margin associated with the top academic publisher Elsevier and looks at how that profit margin is often greater than some of the most profitable tech companies like Apple, Facebook and Google.

This Land Is Our Land(en)

For more than three decades, transnational corporations have been busy buying up what used to be known as the commons -- everything from our forests and our oceans to our broadcast airwaves and our most important intellectual and cultural works. In This Land is Our Land, acclaimed author David Bollier, a leading figure in the global movement to reclaim the commons, bucks the rising tide of anti-government extremism and free market ideology to show how commercial interests are undermining our collective interests. Placing the commons squarely within the American tradition of community engagement and the free exchange of ideas and information, Bollier shows how a bold new international movement steeped in democratic principles is trying to reclaim our common wealth by modeling practical alternatives to the restrictive monopoly powers of corporate elites.

Get Creative!(en)

CC’s signature animated film covers the basics of why we formed, what we do, and how we do it.

Nasty Old People(en)

Member of a neo-Nazi gang, her day job is to take care of four crazy old people that all are just waiting to die. Her life becomes a journey into a burlesque fairytale, where the rules of the game are created by Mette herself. Mette is indifferent about her way of life, until she one night assaults a man, kicking him senseless. Waking up the day after, she realizes that something is wrong.

Almost Ablaze(en)

Awarded "Film Of The Year" at the 2014 International Freeski Film Festival, TGR's Almost Ablaze is a global odyssey combining state-of-the-art cinematography and the most progressive riding on The Planet. Experience a new level of sensory overload as each athlete is wired for sound, immersing the audience completely in the moment. Watch as athletes push the edge to realize a heightened state.

Planet Asperger(es)

A documentary about Asperger syndrome that will teach you we don't all take the same journey towards happiness.

Kiss: Satanik Kreatures - Interviews(en)

Eat Your Catfish(en)

New Yorker Kathryn has the deadly disease ALS and is completely paralyzed. She can only communicate by pointing out letters with her eyes on a special keyboard and she needs 24-hour care. It’s a horrific situation that Kathryn puts into words incisively and pragmatically. The only reason she hasn’t asked to be taken off life support yet, she says, is that she isn’t ready to say goodbye to her children. She wants at least to experience her daughter Minou’s wedding day.

The Mirror and the Window(es)

Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?

Butterfly in the Sky(en)

Two seconds into the bubbling synth sounds of its theme song will have a child of the 1980s or ‘90s exclaiming “Reading Rainbow!” Such is the beloved and ubiquitous nature of the classic children’s literary television show that introduced millions of kids to the wonder and importance of books. Not only did the series insist on having kids speak to kids about their favorite stories, but Reading Rainbow introduced the world to one of the most adored television hosts of all time in LeVar Burton. Thanks to his direct, non-patronizing and, most importantly, kind delivery, Burton became a conduit to learning for children of every background—an entrancing guide to subjects unknown.

Skin(pt)

The walls in the Brazilian city of Belo Horizonte are inundated with painted pictures and words, from stunning murals to old-school graffiti, and from enigmatic cries from the heart to furious cursing. Marcos Pimentel uses his mostly static camera to capture an impressive number of these public statements.

Shabu(nl)

Fourteen-year-old Shabu is a good-natured, creative, and street-smart boy from the south of Rotterdam. When he wrecks his grandmother’s car on a joyride, his whole family is angry with him. He has a summer to make amends before his grandmother returns from a vacation in Suriname.

Jason(nl)

A painfully frank portrait of 22-year-old Jason as he undergoes trauma therapy. This is the third and final part of Maasja Ooms’ trilogy about the failing Dutch youth welfare services. As in the two previous documentaries Alicia and Rotjochies (Punks), the film is a critical observation from a very personal point of view.

Medusa(en)

The Italian coastal town of Rosignano is known and loved for its extremely white beaches and intensely blue sea. From far and wide, camera crews and tourists come to enjoy its beauty. But these extraordinary features are the result of decades of pollution by a plant belonging to the Solvay company, which produces soda ash, or sodium carbonate.

Museum of the Revolution(sr)

The Museum of the Revolution in Belgrade is actually a building that remained unfinished for 60 years and 'inhabited' only by the homeless and marginalized. The director observes the precarious (but proud) daily life of a girl and her mother around the symbolic ruins of a utopia.

The Case(ru)

The demonstrators on the streets of Moscow in July 2019 want just one thing: fair elections. Despite their peaceful protest, 2,700 activists are arrested and hundreds are injured. The active camera places the viewer at the heart of the demonstrations, among the pushing and shoving of the chanting crowds. “You should be protecting us!” shouts a young woman at a soldier, and two big men come and take her away.

Why We Laugh: Black Comedians on Black Comedy(en)

Directors Robert Townsend and Quincy Newell offer this comprehensive and hilarious examination of the history, evolution and cultural significance of African American comedy in America, from the earliest minstrel shows to the latest HBO special. Featuring interviews with cultural critics and loads of comedic clips, this program features appearances by a who's-who of black comedians including Chris Rock, Bill Cosby, Whoopi Goldberg and many more.

Wisconsin Death Trip(en)

Inspired by the book of the same name, film-maker James Marsh relays a tale of tragedy, murder and mayhem that erupted behind the respectable facade of Black River Falls, Wisconsin in the 19th century.