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Evangelion: Death (True)²
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Evangelion: Death (True)²(ja)

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Return
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Return(en)

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Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

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Le plafond de verre
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2006-10-05

Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos

Welcome to Africville
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Welcome to Africville(en)

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Welcome to Africville gives voice to what may have been marginalized members of an Afro-Canadian community in 1969. It's intention is to be a catalyst to thought and reflection about the lives and struggles of people from that community whose stories still go untold. It is the fictional account of a family. We listen to the stories of three generations of women and their friend Julius on the day their community is to be destroyed by the municipal government of Halifax. This story is a portrait of four individuals coping with universal uncertainties and insecurities.

A Way Out
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We The People 2.0
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We The People 2.0(en)

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American citizens who are normally marginalized, forgotten and left to fend against toxic dumps and other violations, come to understand that the only way to survive and save their communities is to challenge the system head-on.

Energy War
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Energy War(en)

1977-01-01

Documentary feature. 16mm; color; sound.

In Paraguay
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In Paraguay(en)

2008-09-01

Documentary film by Ross McElwee.

Angry Inuk
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With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

13 Related Sewing Machines
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13 Related Sewing Machines(sv)

2011-03-04

Why can't I hear the sound of sewing machines anymore? A meeting with my family and the history of all their sewing machines.

The Story of the Weeping Camel
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The Story of the Weeping Camel(mn)

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When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Living Water
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Living Water(ru)

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A city awakens. There are sights and sounds we do not experience if we sleep late.

The Do Gooders
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The Do Gooders(en)

2013-10-10

British documentary filmmaker Chloe Ruthven’s grandparents were aid workers in Palestine. Growing up, she had avoided getting too involved in the subject, recalling how mention of the country made all the adults in her life angry. In her forties, after revisiting her grandmother’s book on the subject, she starts to research a documentary on the effects of foreign aid in the area and is shocked at the continued reliance on it there. Along the way she meets Lubna, a Palestinian woman who acts as her driver and fixer, and who is fiercely critical of Western aid efforts in her country. What begins as a quest to better understand her family history turns into a deeply emotional account of two women trying to understand one another. Ruthven’s determination to focus her film on deeply subjective analysis results in a unique joining of the acutely personal and complexly political. (Source: LFF programme)