Curry and cream, a delicious blend of warm India pussy and massive gushes of thick, fresh jizz pumped from the biggest dicks this side of Bombay. When these exotic sluts get their snatch full of cum, they can't wait to spread that hole wide open and let all that gurgling goo ooze out. Believe it guys, you haven't seen hot Indian cuisine until you watch them make a huge, steaming curry cream pie right there in front of you!
'Nazarband', the National Award-winning filmmaker's first outing in Hindi, is inspired by a short story by much- revered Bengali writer Ashapurna Devi and depicts the journey of two young people.
Kid is an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
It is an early winter morning in Kolkata in 1989 and the palatial old "Roy Choudhury" house lies dilapidated, housing the last few members of a once huge affluent joint family. Rudro, the younger brother of the last generation, an under-confident, nondescript man in his mid-30s tries to convince Rajatabho, the eldest of the brothers to take up the offer of selling the house in a desperate attempt to save themselves from bankruptcy. Rajatabho, however, is unrelenting. Rudro, later tries to convince Anjali, Rajatabho's wife, to help change her husband's mind. Later in the day, a crying Anjali grinds down sleeping pills on her kitchen slab. She reminisces down memory lane through each nook and corner of the house as she does this. Finally, at dusk, as Anjali stands alone on the terrace holding a bottle of sleeping pills, Rajatabho suddenly arrives and they look eye to eye for the first time in months.
Hrundi V. Bakshi, an accident-prone actor from India, is accidentally put on the guest list for an upcoming party at the home of a Hollywood film producer. Unfortunately, from the moment he arrives, one thing after another goes wrong with compounding effect.
Bad Indian – The Villain Origin Story, is a coming of age comedy-drama about Abbey, a young woman from Croydon. When Abbey lies to her strict Catholic Indian Mother about her rejection from Cambridge University her only method of escapism is to have one memorable night at the infamous Tiger Croydon’s A-Level Results Party. But what happens when the truth she's been running from violently slaps her in the face.
When an Indian mother finds out her son is the victim of a vicious bully, she delivers her own brand of vigilante justice.
We learn about the life of one very unique Indian woman, through the eyes of a British documentary crew.
It's been 2 years since they've been together. They haven't seen each other in person. Only pixels on a screen.
[Mai Hanagari Bondage Lifted] Mai, a girl who lost her parents and lives with her uncle. She has always been distracted and restless. My uncle treated her kindly, trying to understand her. But one day, she finally develops into a situation beyond her control... Bondage, vaginal cum shot, training, candle torture... The broken relationship between the two breaks the innocent girl's heart...
A historical film about the Seneca culture featuring the Tonawanda Indian Reservation, Bury My Heart with Tonawanda tells the story of a developmentally disabled boy with Downs Syndrome who is rejected by his own family but is accepted and nurtured by the Tonawanda Seneca Nation.
"Planchette" projects India and her beautiful culture in a mystical way. Bollywood is here in it's new Avatar. Spirit of a dead Indian Girl wishes to attain NIRVANA with a Vlogger's help. But he is adamant. Is he bound by KARMA? The everlasting question "What will happen to me after my Death?" takes the centre part of this International Feature Film "Planchette". Shot in the backdrop of World famous Rock Garden,made of complete waste and visited by Millions from all around the World.
An attempt to engage with the historical, mythical and the contemporary worlds of the city of Pushkar
I think I've killed someone is a 30-min short film about a young man witnessing a gruesome event. Unable to process it, he goes to his therapist to talk about it where a shocking revelation awaits him!
What is Bangla kalpavigyan? Is there such a thing as Bangla Science Fiction? Is there such a thing as Indian SF? This is our journey with the genre, captured and presented like never before in film. Beginning with the early work of writers such as Rokeya Sakhawat Hussain (Begum Rokeya) and the speculative mode in Bengal, and ending with the pioneering webzine Kalpabiswa, the film traces the historical arc of kalpavigyan over a century of the genre. From the genre magazines of the 1960s-80s and the writers and editors who ignited the movement by giving it shape and form, the film presents a series of conversations and critical reflections from researchers and scholars who have worked with the genre both in relation to Bengal and kalpavigyan as well as the wider phenomenon of SF.
Haunted by his tragic past, Basant befriends a married woman even as the migrant community of Salt Bridge frowns upon this relationship.
Two ex-lovers cross paths in a college corridor, triggering memories of their shared past.
After failing to make it big as a rock band, four Indian Americans in 1960s San Francisco attempt one last rebrand to ride the hippie wave and finally get their big break.
At the end of the 18th century, hundreds of Indian sailors, known as lascars, worked amongst European settlers in Aotearoa New Zealand - often under the gruesome working conditions of seal hunting gangs. The story follows a lascar, Dasa, who has been abandoned on the coast of Aotearoa NZ by the East India Company, alongside his sealing gang. When Dasa finds himself in the middle of a conflict between his abusive British superior and two Māori traders, he is faced with a choice: bend the knee or take a stand.