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La Rabbia(1963)
Status: Released
Date: 1963-04-13
70%
29 Votes
Time: 1h 44m
Overview:
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
Languages: Italian.
Countries:
Italy
ProductionCompanies:
Opus Films
Movie: La Rabbia
Top 10 Billed Cast
Giorgio Bassani
Poetry Narrator - Part One (voice)
Renato Guttuso
Prose Narrator - Part One (voice)
Carlo Romano
Narrator - Part Two (voice)
Charles de Gaulle
Self (archive footage)
Dwight D. Eisenhower
Self (archive footage)
Yuri Gagarin
Self (archive footage)
Ava Gardner
Self (archive footage)
Никита Хрущёв
Self (archive footage)
Владимир Ленин
Self (archive footage)
HomePage
Overview
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
Release Date
1963-04-13
Average
7.034
Rating:
3.5 startsTagline
Genres
Languages:
Italiano
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