Future: Open(2017)

Purple Dictatorship(pt)

Yeda, the green-faced woman, sells homemade bread to support the house where she lives with her sick husband. Through the context of green-faced people, we know the reality of those who live on the fringes of a purple-faced society.

Sol Alegria(pt)

While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.

Fascism in Colour(en)

After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)

Resistencia Cultural(es)

Thanasis in the land of the cuff(el)

The movie is about dictatorships in Greece – first, the Metaxas regime (1936-1940), and then the Colonels’ Junta (1967-74). In Part One, the Metaxas regime is depicted as a circus, where Thanasis (Thanasis Vengos) is a clown trying to conceal a young colleague’s subversive action. In Part Two, we see Thanasis suffer because of his honesty and kindness, in a country where the system’s irrationality is clearly evident.

Esmeralda Bay(en)

A priest secretly leads rebels in their struggle against the corrupt military dictatorship of the Central American country of Puerto Santo.

Cuba and the Cameraman(en)

This revealing portrait of Cuba follows the lives of Fidel Castro and three Cuban families affected by his policies over the last four decades.

Rachí(es)

Combining modern footage with home movies and interviews, filmmaker María Casado's life is explored, focusing on themes of family, history, and belonging, with a particular emphasis on childhood experiences related to home.

Missing(en)

Based on the real-life experiences of Ed Horman. A conservative American businessman travels to Chile to investigate the sudden disappearance of his son after a military takeover. Accompanied by his son's wife he uncovers a trail of cover-ups that implicate the US State department which supports the dictatorship.

Passaporte Memória(pt)

Marcelo was taken to Paris, where he has lived since he was 12. After the sudden death of his mother in 1992, he returns for the first time to the place where he was born. As he walks through the city of his childhood, a series of memories unfolds, revealing a story of friendship torn apart by tragedy and the social tensions that marked Brazil in the 1960s, leading him to question his identity and his place in the world.

Subversivas(pt)

"Subversivas" is a documentary that reveals the brazilian military dictatorship from the perspective of women. Teresa Angelo, Gilse Cosenza, Thereza Vidigal, Angela Pezzuti and Delsy Gonçalves joined the resistance to the military regime in different ways. Their memories bring out events that marked that time and their life. These statements reveal their effort for freedom and democracy not only in political actions, but also in their family, work and everyday relationships, imbued with a belief and search for a fair and free country.

1964: 40 Years After(pt)

Documentary that shows the events that culminated in the deposition of President João Goulart, on March 31, 1964, and the implementation of the military dictatorship in Brazil. Around 40 characters reveal behind the scenes and comment in detail on this important moment in Brazilian political history.

...And She Chose Hell(es)

In Western Germany, two brothers and their organization help people escape to non-communist Germany. A policeman chasing them falls in love with the sister and feels divided between love and duty.

The 70s(tl)

Amanda and Julian are doing their best to rear their five sons during the repressive dictatorship of Ferdinand Marcos. Though the parents view themselves as apolitical, most of their sons bristle at life under martial law and turn to various forms of activism -- or to simple teenage rebellion -- for release. After the family becomes the victim of extremist violence, Amanda begins to find her own dissident voice.

The President's Cake(en)

In 1990s Iraq, it's 'draw day', when schools select students for the honour of bringing items to their mandatory local celebrations of President Saddam Hussein's birthday. Nine-year-old Lamia lives in the historic marshes with her spirited grandmother, Bibi. Before school, Bibi teaches Lamia clever tricks to avoid being chosen for the baking duties. However, when Musa, the authoritative teacher, calls Lamia's name for the most challenging task–the birthday cake–she has no choice but to accept. Refusing could mean imprisonment or even death.

Between Revolutions(ro)

A semi-fictional correspondence between two women: one goes to Iran in 1979 to topple the Shah; the other experiences the onerous years of Ceaușescu’s Romania. Their biographies run in parallel via images of everyday life and videograms of revolution.

Olga(pt)

Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and sent to Nazi Germany, where she was put to death in a concentration camp. After World War II began, Vargas decided to uphold the Allies.

Aufenthaltserlaubnis(de)

It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.

The Red Princess(fr)

Who is Kim Yo-jong? In a context of maximum tensions between North Korea and the United States, Pierre Haski paints an unprecedented portrait of the little sister of Kim Jong-un, whose influence in Pyongyang is growing stronger day by day.

The Fantastic(ko)

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.