A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2014.
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2014.
1981-01-01
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In the early dawn, a man fishing by the riverside pursues a mysterious tracking sound to a charging station. Rigging fishing rods, he patiently awaits his target. As night falls, the hanging batteries sway, signaling the commencement of a covert operation. With a net in hand, the man stealthily moves into action, unfolding a tale of intrigue and suspense.
Ingmar Bergman's "Cries and Whispers" retold in a single minute.
Ian splits his time between working his dead end warehouse job and taking care of his ailing mother. The stresses of everyday life, alongside Anna's illness, have created a rift between the two that is seemingly insurmountable.
A dinner party with old friends takes a shocking turn as wounds are exposed, revelations are made, and the past resurfaces. Over one tense evening, Cynthia learns that some things can never be unsaid.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Short film directed by Rudolf Del Zopp.
Two handsome twenty-somethings, Kevin and Jay, drive home from the races after having won the jackpot, excited about their newfound fortune. The newlyweds fantasize about how to spend their bag of cash, but disagreement turns into bitterness when Jay claims ownership of the win and prize. As tensions mount and tempers rise, distraction becomes inevitable and the ride home turns into a race towards tragedy from which fate will ensure no one benefits from the windfall.
"The Little Old Lady Who Was Not Afraid of Anything" is based on a Halloween children's book about how a brave old lady meets a spooky set of clothes that follow her home.
Great Britain voted to leave the EU. While euphoria and disappointment are mixed among the population, William decides to go to visit his parent discovering that love could be hidden in unexpected choices.
Correspondence between young lovers nearly ends in disaster through a mistake in postal district. Fortunately the GPO spots the error and all ends well, but with the moral that correspondents should get the address right.
Professor Pierre is assigned to find a missing heiress whose fortune will go to a worthless relative if she isn't found. He uses most of his dialect ability in the search by posing as a Chinaman, an Englishman, a sailor and a Scotchman, but is unable to find her. He meets his sweetheart at a restaurant and, there, discovers she is the heiress he has been searching for. She breaks off their romance when she finds out she is rich.
Herrmann is a leftist Thirty Something, who is still politically active, despite beginning to live the usual life of having a girlfriend and a child. On the way to his weekly political meeting he is kidnapped.
On the eve of deportation, a refugee hacker fights for a chance at the American dream after he is betrayed by a politician using him to sway public opinion.
A forty-five-year-old history teacher, Jin-tae, has hallucinations about one of his students.