A mother and her 8-year-old son struggle to survive in a bomb shelter after an unspecified apocalypse.
Wounded Girl
Santa Claus
Kelly Enck
Riley Enck
2 adventurous teenagers decide to go into a supposedly haunted apartment building.
THE MINDS OF 99 – THREE DAYS IN THE PARK is a concert documentary film that follows the band and the individual members in the period leading up to, during, and after the magical weekend in the Park. Through a compilation of more than 300 hours of material, the audience is taken behind the scenes and gets up close to the band and the pressures and dilemmas, thoughts and emotions they encounter on the journey to the three critically acclaimed stadium concerts.
The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.
“Even in hell, I would still paint.” Dimitris Andrianopoulos paints relentlessly. However, he refuses to sell his artwork, he doesn’t exhibit and he signs his wife’s name. On his 79th birthday he agrees to open up the door to his painting and share his art and thoughts in a documentary film. Over a period of 12 months, the camera records the microcosm of his colors and his life. The film follows his wanderings in search of answers regarding the relationship between the artist and his work, the difficulty of parting with his works, the mystery of inspiration and the unfathomable influence of the unknown
This documentary traces the lives of Gibb brothers and takes a look through their memories, creating some of the greatest hits in the world as the Bee Gees. Including interviews, archive footage, and new versions of classic songs - all recorded in the lead up to the release of their 'Still Waters' album in 1997.
A young man must fight for his life against a shape shifting stalker.
A documentary on the life and work of Swedish/Argentinean photojournalist Leonardo Henrichsen (1940-1973), a known international news cameraman whose final image shot was his own death on the hands of a soldier, while capturing images from an attempted military coup in Chile on June, 1973.
A reforming constitutional lawyer and senator in her early career, Mary Robinson detonated an electoral earthquake by winning the Irish Presidential vote in 1990. Later, as a crusading UN High Commissioner, she built a lasting legacy; fearlessly challenging perpetrators of human rights abuses all over the world. To this day, she exerts power and leadership as the Chair of The Elders; the independent group of global leaders (founded by Nelson Mandela) who work for peace, justice and human rights.
Hilariously bogus "documentary on the film capital of the world" inspired by the Italian mondo movie genre. A look at adult book stores, grindhouses, strip joints, "Figure Model Photography Studios" and midnight pool parties. This is more cynical sexploitation from director Lee Frost and producer Bob Cresse, the loveable hucksters.
Taking us into what for Mark Augé is the ultimate non-place - an airport waiting lounge - Stacy Hardy and Jaco Bouwer provide still more proof of supermodernity's failure to do away with organic social life. Granted, the space we enter with them is not one of healthy connections between human beings encountering each other in a functional polis. Clearly, theirs is a world of radical disconnects. At the same time, however, it is a world in which people invent highly idiosyncratic lives for themselves - if there is one thing missing here it is precisely uniformity - and in which imaginaries go haywire. Indubitably, the Hardy/Bouwer airport lounge is a dystopian space and this space, it seems fair to say, functions as a synecdoche for a larger social condition. But dystopia here stands in radical opposition to uniformity and it is determined to break the mold of late capitalist habitus (Dominique Malaquais, SPARCK).
A Jewish Moroccan immigrant family living in Israel is nearly destroyed by conflicts resulting from generational differences in this arresting Israeli drama. It begins as Cheli, a successful but emotionally troubled talk show host who has been unable to deal with her traumatic childhood is traveling to attend her father's funeral. She is accompanied by her mentally ill sister Pnina and her adopted estranged daughter. It is a hellish trip and as they travel, flashbacks chronicle their painful youth. Rachel had always wanted to break away from her family's Moroccan heritage and so spent much time trying make herself fit in with her Israeli peers. She was humiliated by her poor, ignorant family. Her father was an overbearing, blindly religious fanatic and their mother was a witch who manipulated the family by casting spells. She feared her mother, and despised her insane sister, to whom she was very cruel.
When Kao decides not to have sex for 30 days according to a fortuneteller's advice but Nut, his co-worker, asks to stay with him for a while. Sometimes Nut sleeps in his underwear driving Kao out of control but the more he tries to control, the worse he falls for Nut.
This is an epic tale of two gangs, like The Jets and The Sharks. But Girl and Chocolate aren't even gangs. Some of them act tough and some of them act like babies. But they are even more unlike the Jets and The Sharks in that they aren't even battling each other for territory. They really don't know what the hell they are doing. They don't have a feud, most of them really like each other so that is another thing they don't have in common with the Jets and the Sharks. What they do have in common with The Jets and The Sharks is they love to dance. And when I say dance, I mean SKATE. And when I say SKATE, I mean really good. From the directors that brought you Mouse, Yeah Right and Fully Flared, another chapter in this tale with no plot, no ending but beautiful inner battles acted out on a little board with wheels.
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog)
Justin is a film editor surrounded by performances. Sick of sitting in a dark room watching others, he starts to envision ‘70s cabaret style performances of his own. When a new relationship starts to develop, Justin has to decide how badly he wants to come out from behind the camera.
Colly leaves her home planet of Gliese to find her twin sister, Josi, who was left on earth as an infant. The two are faced with the hardest decision of their lives; be split up and accept their fate on their respective home planets or fight and hunt on Earth to stay together.
In L.A.’s Boyle Heights neighborhood, local activists and members of the art community clash over the fate of a beloved neighborhood.
Si-eun, a new kindergarten teacher, believes that between six-year Seo-ra and a boy her age, some kind of bad education is starting up.