ZAMA (2017, Lucrecia Martel) didn’t come alone. It brought with her a shooting journal written by Selva Almada –El mono en el remolino– and this documentary by Manuel Abramovich, who, as a sound intruder, captured the meticulous work of the director from Salta and the warm, human, joyful precision.
Two brothers-in-law hate each other but, for business interests, they want their respective son and daughter to marry. The young fiancées are not in agreement, as the boy has a happy relationship with a woman, and the girl is in an isolation mood. A crime happens, and the relations amongst this sad family become even worse.
Henri and Jeannette Milliard, a newly married couple from Normandy arrive in Paris where they intend to spend their honeymoon. Unforfunately a wicket gate in the metro separates the couple. In panic, Henri looks for his wife across the capital. He ends up finding her at the hotel they were to put up. But it looks as if Jeannette has gone through some distressing adventure.
A semi-trailer found dumped and full of dead people leads Kurt Wallander and his team to a convent where the nuns have been assisting illegal refugees into Sweden via Poland.
According to an urban legend, a girl named Hikiko Mori was taunted and bullied relentlessly by her classmates, eventually resulting in her accidental death. Holding a grudge against all bullies, her spirit now haunts her former school, slowly gathering the strength to exact vengeance on the living. A group of frightened school girls decide to investigate the rumors further and what they find convinces them that they have to stop the spirit of Hikiko-san before it’s too late
A middle-aged couple's comfortable life changes forever when the wife, driving home alone in the rain while slightly intoxicated, runs down a pedestrian and flees in panic. Her guilt over the hit-and-run, compounded by her husband's suspicions of what happened, begins to affect their once loving and happy relationship.
Divided into 10 segments we hear from cast and crew. We learn about filming the opening ferry explosion, Washington's character and performance, makeup and costumes, the Time Lab and technological issues, the car chase, shooting in New Orleans, the Washington/Bruckheimer/Scott collaboration, physical sequences, and the concluding ferry scene.
Somewhere in the middle of nowhere - stranded in the South African savanna: After an emergency landing, the von Zangenheims and the Kowalskis are fighting for survival in the wasteland. Two parents, who are both about to separate, actually wanted to celebrate the wedding of their offspring on a farm in South Africa. But instead of feasting in the lap of luxury, they now have to hold their own against snakes, lions and hippos... Will they make it to the festival in time?
With the help of diver and biologist Laurent Ballesta, a scientific expedition explores three sunken Italian volcanic sites in the Mediterranean.
Much like the infamous match between Bret Hart and Tom Magee, a piece of PROGRESS history has recently been uncovered. The former Progress announcer, Jimmy Barnett, has been sharing his memories of a show from May 26th, 1988. Last year he was kind enough to offer his recollections of a very early PROGRESS from way back in May of 1978 (PROGRESS even found the footage in their vault), and it's a rare treat to get details of another historical show from a man on the inside.
Tasked with finding out the truth behind his fellow colleague's death, a police officer begins by reviewing his previous cases. Slowly, he traces the steps of the murderer until he discovers the killer's master plan.
A night of classical music,conducted by famous comedian actor Danny Kaye,is something for the whole family to watch. Danny puts his talents to use while conducting and makes it very special for people of all ages.
"Must Be Nice" is the latest comedy special from Owen Benjamin, filmed during the Beartaria Times National Festival. The "Must Be Nice" comedy special demonstrates what can be achieved when a group of like-minded people come together with a vision. With a larger team, high-quality camera rentals, a more advanced sound system, and significant equipment donations, the special reflects the growth and professionalism of Unbearables Media. Get ready to laugh, Beartarians, because Must Be Nice is here!
Danny is left alone in an army base that is full of elite zombie soldiers on Passover night.