Using found footage, still photographs, animations, and occasional original footage, “The Mist in the Palm Trees” purports to tell the story of Santiago Bergson, writer, physicist, and sometime pornographer who sold arms to the Resistance in France, flirted with the Nazis, collaborated on Orson Welles’ “War of the Worlds” broadcast and helped build the A-Bomb.
Using found footage, still photographs, animations, and occasional original footage, “The Mist in the Palm Trees” purports to tell the story of Santiago Bergson, writer, physicist, and sometime pornographer who sold arms to the Resistance in France, flirted with the Nazis, collaborated on Orson Welles’ “War of the Worlds” broadcast and helped build the A-Bomb.
2006-03-16
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Called "an elegant documentary" by Sundance and "eloquent and deeply moving" by the LA Times, Toyo Miyatake: Infinite Shades of Gray is a penetrating portrait of this photographer's search for truth and beauty in a world of impermanence. Los Angeles' Little Tokyo's foremost studio photographer, Miyatake smuggled a lens and film holder into the U.S. WWII camp he was incarcerated in and captured life behind barbed wire with a makeshift camera made of scrap wood. Yet it was his little-known artistic pursuits before the war that honed his discerning eye.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Using visual assemblage as a technique to delve into the artist's own formation of personal narrative, self-possession and the aestheticization of compositional materials, Sodipo extends her long term fascination with images that pull, extend, transform and recontextualise notions of femininity, desire, and danger.
The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.
In April 2013, a fishing vessel was attacked off the coast of South Africa, killing all on board. A TV crew documented Marine Biologist Collin Drake as he worked to determine the predator responsible. His discovery is presented in this shocking footage.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
A real initiatory journey that, through the discovery and the story of myths, legends, inexplicable events and macabre details, will lead the viewer and the conductor to confront each one with their own fears.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
This special 10th anniversary edition of the Found Footage Festival finds curators Joe Pickett and Nick Prueher in a nostalgic mood, delving deeper--perhaps too deep--into some of their favorite VHS finds from over years. But Volume 7 is also jam packed with newly unearthed treasures, featuring singing rabbis, petulant news anchors, coughing snake handlers, bodybuilding clowns, and two body parts never before seen in the festival! It's a celebration of a decade of Found. Record over and you'll die! Taped live at The Grey Eagle in Asheville, North Carolina.
In this 5th installment of "The Blackwell Ghost" series, the ghost hunting filmmaker returns to the "Lightfoot House" where he hopes to solve a newly discovered puzzle which may lead to the location of more undiscovered victims.
One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.
Rough Cut, the debut feature from London-based artist Jamie Shovlin, explores the re-making of an exploitation film that never was. At its dark heart is Hiker Meat, an archetypal 1970s slasher movie imagined by Shovlin, complete with hitchhiking heroine, charismatic commune leader and a group of teens who disappear one by one. This tantalising film-within-a-film serves to both deconstruct and pay affectionate homage to the often-maligned exploitation style. Having created a full screenplay, score and cut-and-paste prototype for Hiker Meat, Shovlin filmed key sections and a full trailer in an intense shoot in the Lake District in summer 2013. Rough Cut contrasts these re-made sequences with on-set footage and insights into the development of Hiker Meat’s script, soundtrack and design, to create a compelling mash-up of self-referencing processes, behind-the-scenes viewpoints and time-honoured slasher tropes.
American religious extremism collides with independent filmmaking when Harmony Hope Bryant sets out to create a cautionary movie about the dangers of roleplaying games.
In the vein of "The Office" or "Man Bites Dog". "Split's" mockumentary style sees a film crew follow two Hitmen throughout two days of their lives, as they go through a list of targets and a day to day routine. This is "The Office" meets "The Sopranos", this is S.P.L.I.T.
Directed by Richie Mehta, executive produced by Ridley Scott and powered by Google, India in a Day is a new form of non-fiction filmmaking that uses footage shot by millions of people in India on one single day to assemble a lyrical portrait of modern India.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker Bill Howard sets out to spend a night there to find out exactly what it is.
A documentary about aliens and UFOs with re-enactments of alien interviews and video of a supposedly real video of an alien being interviewed by government officials.