In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple.
Mori Ranmaru
Oda Nobunaga
In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple.
1908-09-16
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Devastated by her best friend Marlon's death, Kim travels from NYC to Canada to attend his funeral. There she meets his family and friends for the first time and awkwardness ensues as she tries to explain how she never met him in person because their friendship had been exclusively online.
The short tracks the tense fifteen minutes before Marion's – France's only female bull jumper – first performance in a packed French arena. As she prepares, being the only woman in the team, the film explores her battle against misogyny and prejudiced attitudes. A journey of one woman through an all-male world – juggling motherhood and the contentious pursuit of her passion.
Rose fabricates her own version of a perfect fairy tale to escape the harsh reality of her life. When a mysterious visitor turns up she must choose between the safety of her own imagination and the acceptance of her true identity.
A renegade police captain sets out to catch a sadistic mob boss. Preserved by the Academy Film Archive in 2016.
A surprising find challenges a couple to question the foundation of their relationship.
Since the rooster died, Jasper's only surviving hen has been depressed. Forced to come down from his mountain where he lives far from everything, the septuagenarian sets out in search of company for his beloved gallinaceous bird.
In this terribly poignant tale of memory, loss and love, Juliette, a young woman paying a visit to her Alzheimer's suffering father, unexpectedly triggers a brief but touching moment of lucidity between them. A moment she hopes she will never forget, but knows in her heart he has already forgotten.
A short film inspired by true events and follows the story of a teenager dealing with his sexuality whilst having to grow up in early 90s Northern Ireland. As physical and mental abuse become a daily struggle, Fintan retreats into a world of anger and silence. With no solution on the horizon, he yearns to escape from the small town he’s been trapped in all his life, bringing nothing but his younger brother. As he comes closer to planning his journey to freedom, one night he is shown the reality of acceptance and love.
SEEBESTATTUNG (Burial at Sea) is the story about the development of a forbidden love between the teenage siblings Larissa and Fabian. After the death of their father, the two are left with an inseparable mixture of love, guilt, and loss. The film is to show the emotional turmoil of naive teenagers and, in a erotic-romantic way, sheds light on one of the last taboos in our society: incest.
Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.
A romantic rivalry among members of a secret society becomes even more tense when one of the men is assigned to carry out an assassination.
Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.
Intercutting live action footage with animation, a depiction of the possible memories, repressions and fears of the leading character. The animated sections are monologues by a male figure drawn to highlight the tension between rigid and fluid body structures, skeleton and flesh.
A young boy frequently visits an old man who lives alone, keeping him always in good company. One night, he chances upon the old man watching a dated clip of himself as a cross-dressing boy. This sparks within the young boy an interest to find out more about the old man's past. What he ultimately discovers aids both him and the old man towards a richer understanding of how the weight of life and identity should be carried.
One Person on the street does not vertigo when suddenly something happens to him
David asks help from Elise for a special occasion during the pandemic in which everyone is required to stay at home. Will things be successful when unspoken feelings become more visible in one of them?