Oru Oorla oru Rajakumari (A princess in a town) is a Tamil film written and directed by K. Bhagyaraj. The film, produced by C. H. Venu, had musical score by Ilaiyaraaja and was released on 15 January 1995.
Oru Oorla oru Rajakumari (A princess in a town) is a Tamil film written and directed by K. Bhagyaraj. The film, produced by C. H. Venu, had musical score by Ilaiyaraaja and was released on 15 January 1995.
1995-01-15
6
Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
Stalwart soldiers of the Japanese Empire – Japanese and Korean alike – stand in defense of a military outpost threatened by "bandits."
Dasha, a young biologist, prepares to defend her Ph.D. on the Baikal seal. Her Ph.D. advisor is skeptical about Dasha’s love for animals, and her mother only cares about the girl not missing night prayers. A story about a conflict between science and religion, love and suffering, between what Dasha wants and what others push her to do.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
In an underground prison an inmate escapes during a riot. One year later, a group of friends set out to locate an old hermit shack. They're worst nightmares are revealed when they spawn an evil darkness within the escaped prisoner.
The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
The Island of Sodor is always bustling with activity, yet when the engines try to be "Really Useful" they often find themselves in some messy muddles. James tries to prove he's not afraid of the dark, or too vain to haul smelly fish, but when he pulls the nighttime Kipper Express he gets more than he bargained for. Stephen's need for speed and Salty's need to impress sends them both into some sticky, slippery situations. Hiro shows Diesel that nice engines do finish first and Sir Topham Hatt shows you can't cry over spilled milk - twice. It's full steam ahead for Spills & Thrills on Sodor. Featuring the episodes: Away from the Sea, The Smelly Kipper, No More Mr Nice Engine, Gone Fishing, Thomas' Shortcut and The Afternoon Tea Express. On the Australian release, Thomas' Shortcut is replaced by Jitters and Japes.
Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.