Tuesday Darkness(2016)
Evolution and change are usually observed within a positive sphere, nevertheless and according to the history of humanity, we are stubborn beings reluctant to change and the unknown. I wrote this short with that thought in my mind. Mardi Darkness shows a small glance in the life of a recent graduate that resists to change, the possibility of happiness and above all the acceptance of his new life. Far away from his family, from what he once called home and his youth. The short film was made in an experimental fashion. It was initially framed as a sequence shot but it was just evoking melancholy and the chaos went too unperceived. For this reason, I decided to use a split screen technique to tell the story in a more chaotic and voyeuristic manner. It is as though it was seen through monitors that loop the life of a man who refuses to change, remaining so until it merges with the darkness of the screen and the unexplored.
Movie: Tuesday Darkness
Top 1 Billed Cast
Similar Movies
virar mar / meer werden / becoming sea(pt)
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
Chelsea Girls(en)
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Elementa(en)
A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.
Love & Fascism In The 21st Century(en)
In search of the archival, Carmen-Sibha Keiso re-imagines theatre and film through personal narrative in her conceptual debut: Love & Fascism In The 21st Century. "... if Rappaport was in an art school." - Ferran Pla
Bouddi(en)
A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.
Bodybuilding(de)
Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.
Stress Scars & Pleasure Wrinkles(en)
Filmmaker Barbara Hammer recounts how she got her scars as well as her "pleasure wrinkles."
![Matrix [First Dream]](https://image.tmdb.org/t/p/w300/hmh8u4S7QjokgGBMLG70vB2zomy.jpg)
Matrix [First Dream](en)
A film of multiple superimpositions, utilizing the images of Solariumagelani (Summer Solstice, Autumnal Equinox, and Winter Solstice) (1974) overlaid with the hexagonal shapes that recur throughout Frampton's Magellan cycle.
Apple Pie(en)
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
Watching Us(en)
Centred on the relationship between the viewer and the film subject, Watching Us explores how one's identity and sexuality can be robbed through a viewer's non-consensual watching.
