Mere Khwabon Mein Jo Aaye is the story of Maya. Maya lives in New Delhi is married to Vikram and has a daughter Priya. Maya's life is mundane and centers around her family. One evening she overhears a conversation between her husband and another woman and realizes that he's having an affair. Her simple, family centric life around her breaks down and she realizes how Vikram had slowly degenerated her confidence and self-esteem in the past few years of their marriage. He stopped her from singing and abandoning all her dreams. During a conversation with her neighbor Mrs. Mathur, who is looking for an ideal tenant, she conjures up her fantasy man, Jai. Through Jai, who keeps reoccurring in her dreams in different avatars, she regains her confidence. He inspires her to pursue her ultimate dream of singing.
The film adapts a true story from the beginning of the 70s.
After Kati, Hanna and Mila first experiences with guys, it is now necessary to cultivate those relations. The jealous Mila thinks that her friend Markus, would cheat on her with Vanessa. Kati, who is actually together with Tobi, finds that Robert, whom she met during a shooting, more than just cool. Only with Hanna everything seems to work perfectly. Branko is a real gentleman and does everything for her musical career - but not entirely unselfishly, as soon turns out. Problems therefore pre-programmed with the girlfriends and their new conquests!
An elder brother who lived a life of crime but left to show his younger brother the lifestyle is not fit for anything. Years later his younger brother takes his footsteps in the life of drugs/crime, to a deal gone wrong his younger brother is murdered, his elder brother steps back into his crime ways and to find and avenge his younger brother's death.
A cutscene film narrated by and told from Albert Wesker's point-of-view that retells the events of Resident Evil, Resident Evil 2, and Resident Evil 3: Nemesis.
18 directors, 18 novels, 18 short stories about Moscow...
A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.
Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.
Pretty Joy and her friend come to Moscow to shoot a commercial. A taxi driver, who recruits girls for an underground organization run by a distant descendant of Rasputin, suggests they visit the Rasputin Museum. During the tour, the girls are hypnotized by the evil character, who hypnotizes his victims before using their charms to seduce the rich tourists.
Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.
30 years ago, Switzerland was shaken by a scandal that seems to have already been forgotten: more than 900,000 people were surveilled because of their political convictions. Against the backdrop of this "secret files scandal," Micha Lewinsky sets his film. Conscientious policeman Viktor Schuler is tasked by his superior to infiltrate the Schauspielhaus, a renowned Zurich theatre, in order to keep an eye on its leftist scene. However, Viktor finds himself quite taken with the artist's life and falls in love with the subversive actress Odile Lehmann.
The family is pleasantly surprised and puzzled when Beethoven suddenly becomes obedient. Turns out it's a prince and the pauper scenario, with the real Beethoven now living with a pompous rich family.
Mitsuo, unhappy in his new job as a shoe salesman, is invited to a festival and is introduced to a friend’s sister. Tora-san meanwhile helps an injured housewife on her yearly vacation.
The movie revolves around a guy named Chirag (Parth Samthaan) and his grandmother Kalyani (Aruna Irani) wants him to get married soon. He meets a girl named Devika (Khushalii Kumar) at a wedding, love at first sight situation and then they start dating. Chirag's father Veer (Sanjay Dutt) is a widower and one day he meets his ex-girlfriend Menaka (Raveena Tandon) who is the mother of Devika. Now, one side the kids are romancing, and on the other side, the parents are romancing. What will happen next when they all will come to know about this situation...
Raghu and Zoya are enjoying their lives together until a gang leader with harmful intentions turns their world upside down.
Khogiram and his wife are poor and can barely afford to get school uniforms and books for their children Pinaki and Rimzim. Things worsen when Pinaki misplaces Rimzim's only pair of shoes. Pinaki begs Rimzim not to tell about this to their parents and promises to fix his mistake by coming third in a marathon for which the prize is a brand new pair of sneakers.
Bollywood action comedy film with a lost and found theme, about three brothers separated during their childhood who grew up in three homes, adopting three religions. They meet in their youth to fight a common villain. It was the biggest blockbuster of 1977, and won several awards at 25th Filmfare Awards including Best Actor, Best Music Director and Best Editing.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Separated at birth and peculiarly connected via their reflexes, twins Prem and Raja are reunited with each other as they set out to take down the underground smuggling world.
A shoe-smith Arun Sachdeva is shattered when he discovers that his daughter, Bhoomi has been raped by Dhauli and his gang of three. The father and daughter grieve for a bit before planning revenge.
Mita and Raj Batra, an affluent couple from Delhi’s Chandni Chowk, are grappling with getting their daughter admission into an English medium school. But there is one big problem. Their zubaan is Hindi, and the elitist snobs won’t let the Hindi speaking hoi-polloi fit in.
Anna and Ira prank a local woman by writing her letters from a secret admirer. The prank takes a more serious turn when the local women goes missing,
An inseparable couple Saira and Shiva find themselves in a complicated situation when a stranger claims to be her reincarnated lover from their previous lifetime, hellbent on destroying their relationship and winning her back.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
Years after his father disowns his adopted brother for marrying a woman of lower social standing, a young man goes on a mission to reunite his family.
Kambakkht Ishq is about a stuntman and a supermodel that don't believe in love but through a hilarious series of events they fall for each other.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.
Despite his ambitions to make it big, Beni is still stuck in the hills, bitter and hurt, struggling to make ends meet by teaching music and singing in clubs. Jyotsna, his estranged student and now a Bollywood singer, left the hills 8 years ago. The town is abuzz with the news of Jyotsna's return to perform at a music concert. Beni has to come to terms with the pains of the past and the delusions of the present to deal with both, Jyotsna's presence in the hills and in his life.
Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.