When a shy young man arrives on her doorstep, Alice Hartley grabs the chance to escape from her loveless marriage. She and Michael open a Growth Centre with a difference - offering sex, drugs and personalised water births.
Stephanie
Mifti is a teenager as beautiful as she is reckless. Mentally unstable, fed up with her dysfunctional family, oblivious to the youthful world, and aware of the sexual magnetism she gives off with her peculiar appearance, she wanders through the dark path of several bohemian adults with questionable lifestyles.
Diane is a mysterious and lonely teenager. Sharing special bonds with her father Christian, she takes care of the education of her brother Marc. The arrival of Julia in the neighborhood, a charismatic and liberated young British woman, is going to disturb Diane’s daily life. Desperately willing to become an adult, Diane is going to live, for a semester, the most shattering experiences of her life. The more she gets close to Julia, the more she gets irresponsible, ignoring consequences and limits to her desires.
The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.
A widowed professor living in Paris develops a special relationship with a younger French woman.
Joseph and Brenda have done what many only dream of and retired to the South of France to live out the rest of their days as if they were permanently on holiday. But retirement is not what Joseph imagined, and when he meets a young, attractive woman, Suzanne, everything he thought he knew about himself and his world is turned upside down.
Before Christmas, the angels have the mission to make happier 70% of the people. The story is based on angel Uriel and two new angels helping him.
Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.
An expressionist biography of Edith Stein, who converted from the Jewish faith to the Catholic one and became a Carmelite sister. She would die in a German concentration camp.
An intimate examination of a contemporary artist couple, whose living and working patterns are threatened by the imminent sale of their home.
Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.
Saving Norman tells the story of a hypochondriac ex-ping pong player who missed the biggest tournament of his career because of a cold. Now years later he lives a hermetic existence with his parrot Norman. But, when Norman seems to be suffering from a case of bird narcolepsy he calls in pet psychic Belinda who soon realizes that in order to help Norman, she'll first have to help his owner.
A fearless Antigone, refusing to allow the dishonored body of her murdered brother Polynices to be devoured by vultures and dogs, defies the Thebian tyrant Creon by burying him.
Aidai the baksy, or witch doctor, lives in the mountains and helps people. She uses mysterious actions to cure the sick and to give infertile couples children. As capitalist forces begin to encroach on tradition, the first casualty is any culture's most fundamental inheritance - land. The healer has to leave her land because the mob thinks the location is suitable for a filling station. A harsh battle between supernatural good and earthly evil ensues.
A young boy returns to his birth country, Chile, after a long absence. The house in the country where he lived with his family is up for sale and they all gather to bid the place farewell. Their visit to the "magnetic tree", a local curiosity with strange properties, will awaken almost forgotten feelings and affections in the boy.
Savannah is the true story of Ward Allen, a romantic and bombastic character who rejects his plantation heritage for the freedom of life on a river. Ward navigates the change of early 20th century America on the wrong side of the law and society, his long-time friend, a freed slave named Christmas Moultrie, at his side. Master of Shakespeare, and the shotgun that provides Savannah's markets with fowl, Ward fights for his rights as a hunter. His charisma and eloquent rhetoric win the heart of a society woman who defies her father to marry him. An elderly Moultrie tells the story of life on the river with his friend to a little boy, who passes the legendary Ward Allen down to the next generation.
When three childhood friends reunite on one midsummer night, their delirious abandon and reminiscence explodes into a daring search for hope and deliverance from the burden of their dreams.
Alice has deeply buried feelings and memories for her sister Manon who is about to be married. During their childhood the two sisters were extremely close not only emotionally, but also sexually. With news of the wedding the pain of the past resurfaces and Alice's relationship with her girlfriend Elsa start to fall apart. As the wedding approaches Alice reminisces about her childhood, and has trouble letting go of her incestuous relationship with her sister Manon.
The film is based on the story of William of Cambridge and Catherine Middleton. Shown in the same life of William of Cambridge, and Catherine Middleton met at the University of Saint Andrews, besides the romance that they maintained, the break of it and commitment.
Orphaned as an infant, Juan Frances (Spencer John French) is a talented ranchera singer, but he faces a hurdle in his attempt to succeed as a Latin music performer: He's a chubby, red-headed 33-year-old who grew up in a Hispanic home but looks like an Ohio farm boy. As Juan struggles to make ends meet by working eight jobs, his girlfriend (Maria Esquivel) and lizard-smooth promoter (David Franco) plot an aggressive image change for Juan.