On the Path(2015)

Gilles(fr)

On a Saturday night in the "City of Love", two sworn enemies are united in their hatred for someone they despise even more than each other: a gay man.

Children of History(fr)

After swimming class, two 12-year-old boys, Jules and Noam, chat and discover that their grandfathers fought in World War II. One, a German soldier; the other, a Jew.

Bridge(es)

The relationship of two men is threatened by a secret.

The Exit(en)

It's the morning after - and four is a crowd. Couple Samantha and Peter negotiate a thoroughly modern and thoroughly awkward situation.

Hold(en)

Stuck in his endless loneliness, a man wanders in a post-apocalyptic world... Only to discover he is not alone.

The Red Villa(en)

Set during the Greek financial crisis, The Red Villa is a tale of suspense and deception, which tells the story of Kate, a young tourism representative who gets embroiled in the amateur attempts of two English boys to smuggle a priceless artefact out of Corfu.

Knocturne(en)

The rising moon is the main theme in this short movie of three people and an animal going about their nocturnal rituals. This movie is evidently part three of my trilogy that started with HOLD ME WHILE I'M NAKED and ECLIPSE OF THE SUN VIRGIN. It evidently is, since part three never really came out. This seems to look like it could be part three. — GK (anthologyfilmarchives.org)

Citizens(fi)

Bad luck forces two men to resort to Plan B.

The Agency(en)

Adapted from the acclaimed short story by Man Brooker Prize Nominee Sarah Hall. The Agency is a modern and stylish take on middle class female empowerment, amidst the social sub-culture, described collectively as "ladies who lunch". Disillusioned with a decade of domesticity, housewife Hannah Baines (Ania Sowinski), is befriended by an enigmatic older woman Anthea (Lesley Manville,) who introduces a select and seductive inner circle of women. In confidence, Anthea recommends a private and reliable company who "can set up something marvellous" for her. Hannah contemplates the implications of attending her initial consultation, at The Agency.

Frog in the Well(ja)

Following his mother's wishes, Jo, a reclusive young tailor from Tokyo embarks on a solitary journey across Japan.

Tin Dancing Shoes(en)

A young soldier seeks to impress his love at the local village dance before he is mobilised for war. But the waltz is not the only thing that Stanley has to learn.

Chhaya(or)

Illegal Aliens(en)

Due to the recent arrival of undocumented immigrants, the city of Simpletown holds a special session city council meeting to determine if the town should officially ban the newcomers.

Hidden(es)

A homeless couple looks for a way to get ahead, working and making an effort, while trying to overcome their past.

Red Dirt(en)

About a man, his car, and a struggle against outback Australia and its denizens. The film follows the story of Blair, a young business man, on his way too the deal of a life time, a deal that will set him up for life. However, much like many well laid plans, his journey goes horribly wrong, but he ends up gaining more than money could ever buy.

Double or Nothing(en)

In this Broadway Brevities short, a stunt double is hit on the head and imagines himself in a series of movie scenes with doubles for various stars.

Phantoms, Inc.(en)

This Crime Does Not Pay entry focuses on fake spiritualists. A mother is worried about her son, who is missing in action. Over time, she gives a con man all of the family savings to find reassurance that her son is all right. When she can no longer pay, events take a tragic turn.

Best Wishes from Millwood(en)

An unhappy housewife is visited by a bicycle-riding stranger with wish-making cookies.

Carrot Bukkake(en)

Have you ever wondered what the Easter Bunny gets up to in her spare time? She has a nasty secret to share with you! She wants to show you just how many carrots she can fit in her mouth at once. As the saying goes; let’s pretend we’re bunny rabbits.

Suppietij(it)

The extremities of a middle-class being ramble on, reflecting poetically on the wretchedness of moderation.