When you’re young, some of your strongest and most rewarding relationships are with your friends. The kind who support you to become who you really are. Inspired by U-turn and classic girl crew nostalgia, we want to celebrate those kinds of bonds with this short film from director Emma Higgins.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.
A cat named Lorenzo is dismayed to discover that his tail has developed a personality of its own.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
When Iva was a little girl, she was a believer. As an adult, she added the D to her name to become D-Iva, a pure product of the star system. Offered to and adored by her trance-like audience as a modern golden calf, D-Iva realizes that her childhood dream has turned into a nightmare.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.
A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.
In this Broadway Brevities short, a stunt double is hit on the head and imagines himself in a series of movie scenes with doubles for various stars.
A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.
Centers on a boy named Osamu who receives an umbrella as a gift from Sayu, but it goes missing. That umbrella transforms into a girl who goes gallivanting around town on a rainy day.
A project assembled to musically support William Plomer's (1903-73) book of poems called 'The Butterfly Ball and Grasshoppers Feast'; in which Alan Aldridge had provided the illustrations. British Lion had secured the rights, and commissioned Glover, through Tony Edwards (the Deep Purple manager), to add the musical dimension that it required if it were to be made into a 26-part animated cartoon series, suitable for TV. (Discogs) This is the music video for the song Love Is All, performed by Ronnie James Dio.
This short movie takes us through beautiful landscapes and oppressive spaces. A dream sequence that leads to liberation, on the border between imagination and reality. We travel with a boy who matures. He dreams, he dances, he is the conductor. The only.
The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
From childhood to adulthood, brothers Bilal and Nassim support each other no matter what.
Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.
Experimental animation/live-action short by Dušan Vukotić