JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg
JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg
1984-02-01
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Rare interview of Sergio Martino and Edwige Fenech (with Luciano Martino, Ernesto Gastaldi & George Hilton) discussing their film The Strange Vice of Mrs. Wardh
An unnamed documentary filmmaker interviews ghosts in an attempt to find some advice for people seeking to end their lives.
This excerpt from A Pale Blue Dot was inspired by an image taken, at Carl Sagan's suggestion, by Voyager 1 on February 14, 1990.
The first childbirth for children film ever made which launched a sibling preparation movement across the US.
A documentary about the Friends of the Western Buddhist Order in London.
A compelling look at the choices that lead to incarceration and the reality of being locked up in Pelican Bay State Prison.
To solve the problem of styrofoam, an adventure of beach cleanup in Penghu began. It started with a two-person studio and expanded to include many environmentalists. As they set foot on the small offshore islands to clean up beaches, challenges arose in the process. Is the carbon footprint generated during beach cleanup more environmentally unfriendly? How to deal with the piles of litter? These problems came as a great blow to them, just like waves crashing on the shore.
A glimpse into a refreshingly different sex education class in the Netherlands.
A film made by Victress Hitchcock and Ava Hamilton in 1989 on the Wind River Reservation for Wyoming Public Television.
Can you be a virgin, gay and into girls? This film is an intimate study of six homosexual boys. In the changing room some of the uncertainties and embarrassment's of youth emerge, such as the tale of hunky Peter, romance and the naff value of losing your virginity during a Disney movie.
Miami, New Orleans and New York City completely under water it’s a very real possibility if sea levels continue to rise. In Earth Under Water we’ll see these events unfold as leading experts forecast how mankind will be impacted if global warming continues. They’ll break down the science behind these predictions and explore ways humanity could adapt, including engineering vast dams near San Francisco, or building floating cities outside of New York.
Vassar College's Department of Child Study produced this training film for nursery school staff, one of a series on "Preschool Incidents." Unstaged playground scenes of two to five-year-olds in conflict are shown, then repeated for further analysis and discussion. We learn how to "size-up situations," differentiating between "playful attacks" the kids can adequately handle themselves and truly aggressive behavior (as when "a child has gone on a rampage") that requires immediate adult intervention.
Chronicling the definitive story behind the creation of Bruce Springsteen and the E Street Band's "Born to Run" album, this exclusive documentary incorporates rarely seen archival film shot inside the studio, recent band interviews and intimate footage of the artists at work.
In 2018, Taiwan was kept busy by noises of the election, among which the process of restarting the coal-fired power plant in Shen’ao was the most controversial and eye-catching. I followed the diving and canoeing instructor, recorded the rose coral reef and searched for a rare species of mollusk, the Epimenia babai Salvini–Plawen, in the waters of the local conservation area, and explored the ecological truth of Silence at the bottom of Deep Shen’ao together.
“My filming for The Suppliant was done in February 2003, while a guest in the Brooklyn Heights apartment of Jacques Dehornois. When I recollect the impulse for this filming, I remember my desire to show a spiritual quality united with the sensual in my view of this small Greek statue. I chose to reveal the figure solely through its blue early morning highlights and in the orange sunlight of late afternoon. After filming the statue, I walked down to the East River and continued to film near the Manhattan Bridge and the electrical works; then I returned to the apartment and filmed a few other details. I set this film material aside, while continuing to film and edit Pitcher of Colored Light, later I took it up twice to edit but could not find my way. Most of the editing was finally done in 2009; then I waited to see whether it was finished and found that it was not. In May 2010, I made several editing changes and created the soundtrack with thoughts of this friend’s recent death.” (RB)
chronicles the life of Josh Keogh, a 15-year-old whose family was shattered when his father died of liver cancer only six weeks after being diagnosed. Filmed over the course of a year, the documentary begins only a few months after James Keogh's death and candidly captures the emotions the grieving son hid from his family and friends.
Documentary film interviews leading African Americans on race, identity, and achievement.
Iran, 2008. As President Mahmoud Ahmadinejad's motorcade creeps through the teeming streets of Qom Shrine, thousands of people jam hand-written letters into the hands of his handlers. Hearing their President deliver a speech is a thrill, but more promising to these men and women is the hope that their letters - expressing pleas for loans, medical attention, housing and jobs - will be answered. Since his 2005 election on a populist, "man of the people" platform, Ahmadinejad has encouraged Iranians to send him such letters; according to a staff member, he has received about 10 million of them, and has been able to respond to nearly 76 percent. In one letter, a 16-year-old boy says his family has no money and goes to bed hungry every night. According to the staff member, the boy will be helped. As other letters are read, the worker says that "In Islam, charity is a necessity."