Gehr uses a mini-digital recorder to look back on the Machine Age in the form of San Francisco's soon-to-be-shuttered Musee Mecanique. For slightly more than an hour, Cotton Candy documents this venerable collection of coin-operated mechanical toys—including an entire circus—mainly in close-up, isolating particular details as he alternates between ambient and post-dubbed (or no) sound. By treating the Musee's cast of synchronized figures as puppets, the artist is making a show—but is it his or theirs? Gehr's selective take on the arcade renders it all the more spooky. There's a sense in which Cotton Candy is a gloss on the moment in The Rules of the Game when the music-box-collecting viscount unveils his latest and most elaborate acquisition. (It also brings to mind the climax of A.I.: The DV of the future tenderly regards the more human machine of the past.) (J. Hoberman, The Village Voice)
Little Girl
Gehr uses a mini-digital recorder to look back on the Machine Age in the form of San Francisco's soon-to-be-shuttered Musee Mecanique. For slightly more than an hour, Cotton Candy documents this venerable collection of coin-operated mechanical toys—including an entire circus—mainly in close-up, isolating particular details as he alternates between ambient and post-dubbed (or no) sound. By treating the Musee's cast of synchronized figures as puppets, the artist is making a show—but is it his or theirs? Gehr's selective take on the arcade renders it all the more spooky. There's a sense in which Cotton Candy is a gloss on the moment in The Rules of the Game when the music-box-collecting viscount unveils his latest and most elaborate acquisition. (It also brings to mind the climax of A.I.: The DV of the future tenderly regards the more human machine of the past.) (J. Hoberman, The Village Voice)
2002-04-30
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A exploration of the fanaticism that surrounds the Apple brand, featuring interviews with Mac evangelists and members of the Mac community.
A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.
A Documentary on the Making of 'Gore Vidal's Caligula'
The Cell Phone Revolution is a revealing look at the enormous impact this small device has had on the way we live -- and the surprising dead ends and detours it took along the way. From a futuristic dream at the 1939 World's Fair -- the cell phone became a reality some thirty years later.
The story of anti-apartheid activist John Harris - who was hanged after a fatal bombing in Johannesburg in 1964 - told by those who knew him best and through newly discovered home movies.
An hour-long documentary featuring interviews with various filmmakers who've made a name in the direct-to-video market.
Hour long documentary features interviews with filmmakers, actors and others who work low budget movies.
Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.
Subtitled "Bloopers, Babes and Blood!," this video features scenes from numerous CInema Home Video releases as well as behind the scenes footage and bloopers from Nightmare Sisters (1988) and Dr. Alien (1989).
This unprecedented and exclusive insider's account by filmmaker James Hanlon and Gedeon and Jules Naudet of the World TradeCenter attack, which contains the only known footage of the first plane striking the World Trade Center and the only footage from inside Ground Zero during the attacks, will also include footage from events marking the 10th anniversary, as well as new interviews with many of the firefighters who were featured in the original program. They will discuss how their lives, families and the world have changed in the 10 years since the tragedy - some for better, some for worse. Viewers will also hear from New York City Fire Department health officials as they discuss some of the health issues that have plagued firefighters working at Ground Zero.
This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”
Critical review of the music of the Electric Light Orchestra during the Roy Wood era. Features highlights from tracks including '10538 Overture', 'Jeff's Boogie 2', 'Queen of the Hours' and 'Ball Park Incident'. The Independent biography traces the foundations of the band through its metamorphosis from The Move in 1970 and later to the point where Roy Wood quit the group leaving Jeff Lynne to steer the band in to worldwide stardom. Narrated throughout by a team of music journalists and musicians. Also included are a bonus live set filmed in 1972 originally called Granada's Set of Six and features four of the six songs, These songs are the only known live original Roy Wood ELO tracks ever filmed. The DVD was originally released in 2005 under the title Inside the Electric Light Orchestra 1970–1973 minus the bonus live tracks.
Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films
A silent succession of black-and-white photographs of the city of Montreal.
Two detectives hunt a serial killer who is sending cryptic messages about his crimes to a local reporter.
Albert Gran and E.J. Ratcliffe are warring San Francisco shipping magnates; Mary Brian is Gran’s daughter and Charles (Buddy) Rogers is Ratcliffe’s athletic son. The result is a swift, exhilarating comedy, full of laughs and a nonchalant charm.
King Corn is a fun and crusading journey into the digestive tract of our fast food nation where one ultra-industrial, pesticide-laden, heavily-subsidized commodity dominates the food pyramid from top to bottom – corn. Fueled by curiosity and a dash of naiveté, two college buddies return to their ancestral home of Greene, Iowa to figure out how a modest kernel conquered America. With the help of some real farmers, oodles of fertilizer and government aide, and some genetically modified seeds, the friends manage to grow one acre of corn. Along the way, they unlock the hilarious absurdities and scary but hidden truths about America’s modern food system in this engrossing and eye-opening documentary.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
When 30 women aged 67 - 84 from across America and around the world descend on Fall River, Massachusetts to compete in the 30th anniversary Ms. Senior Sweetheart Pageant, hilarity and heartbreak ensue.