Like a lone cowboy, Sergei passionately devotes his life to traditional horse breeding in the impenetrable Arctic Sakha; permafrost and the absence of roads, electricity and channels of communication mean that there is nobody else to rely on but oneself. Sergei is sensitive and introspective; he truly cares about his family, community and treats nature with the utmost respect. He loves the independence and freedom this life brings, despite the immense sacrifices that it necessitates, such as total isolation and being a stranger to his own children. Spectacular camerawork characterizes the Sakha horses in all their magnificence, and juxtaposes the post-soviet towns and the boundless taiga landscapes, where the cold bites through the screen.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
The life and work of Chris Doyle, the acclaimed Australian cinematographer who found regular work as the collaborator of maverick Hong Kong auteur Wong Kar-Wai.
This documentary follows various migratory bird species on their long journeys from their summer homes to the equator and back, covering thousands of miles and navigating by the stars. These arduous treks are crucial for survival, seeking hospitable climates and food sources. Birds face numerous challenges, including crossing oceans and evading predators, illness, and injury. Although migrations are undertaken as a community, birds disperse into family units once they reach their destinations, and every continent is affected by these migrations, hosting migratory bird species at least part of the year.
A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).
ARCTIC SUMMER is a poetic meditation on Tuktoyaktuk, an Indigenous community in the Arctic. The film captures Tuk during one of the last summers before climate change forced Tuk's coastal population to relocate to more habitable land.
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
Documentary following the history of America's first cinematographers.
Greenland is the largest island in the world and the landmass closest to the North Pole. 80% of the country is covered by a layer of ice up to 3000 meters thick. Through the eyes of locals we get to know the authentic Greenland.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
Two Canadian experts in underwater filming, Mario Cyr and Jill Heinerth, join forces for the first time to record how Arctic wildlife is adapting to the dramatic effects of climate change.
Out of love for Huskies, nature and cold winters Dave and Kristen Olesen moved from Minnesota to the North West Territories in Canada 25 years ago to create their own little universe on the magnificent East arm of Great Slave Lake. With their two daughters Annika 15 and Liv 12 and their 37 dogs, the Olesens enjoy a unique lifestyle in the wide open wilderness far away from civilization. One winter they all leave their self-built homestead with ten dogs on a two and a half thousand mile family expedition allowing Annika to run the Junior Iditarod in Alaska. As unexpected obstacles all along the trip culminate in three heavily injured dogs the whole endeavor is at risk. Optimism, love and loyalty prevail on this exciting epic family voyage.
Does doctor Jan Terelak belong to an “elitist” group of the most unethical experimenters? The Polish scientist tested boundaries of human mental resilience in extreme conditions of solitude in Antarctica. The starting point for Piotr Jaworski's documentary is the psychologist's journal. The project from forty years ago was focused on studying the mental condition of polar explorers at the Polish station. Men were in the situation of confinement, comparable to a space mission. The film reconstructs these events, referring to the then contemporary context and changes in the perception of science.
Kluane National Park is situated in the Yukon area of northern Canada and is a research paradise for glaciologists, geologists and other scientists. Mountaineers come to scale the impressive heights. Animals are free to roam, protected by stringent legislation. This film reveals many facets of this beautiful park, which has been declared a protected zone by UNESCO.
110 of the world's top cinematographers discuss the art of how and why films look the way they do.
Shot mainly using spy cameras, this film gets closer than ever before to the world's greatest land predator. As the film captures its intimate portrait of polar bears' lives, it reveals how their intelligence and curiosity help them cope in a world of shrinking ice.
How in 1959, during the heat of the Cold War, the government of the United States decided to create a secret military base located in the far north of Greenland: Camp Century, almost a real town with roads and houses, a nuclear plant to provide power and silos to house missiles aimed at the Soviet Union.
Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?
A journey into the lives of a mother polar bear and her two seven-month-old cubs as they navigate the changing Arctic wilderness they call home.
Lonely. Scared. Insecure. But how's it going with you? Is this the first film to be made completely in quarantine? Possibly. 'The Follow-Up' is Ben Berman's follow up film to 'The Amazing Johnathan Documentary (Hulu 2019).
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn't discovered for three years, and newspaper reports offered few details of her life - not even a photograph.