Anpanman's friends go see a bubble show performed by Shabondama-hime and her Shabondama Girls, who make exquisite bubbles by playing their flutes. One of the girls, Purun, can't make big bubbles no matter how much she rehearses. She feels inadequate as she goes to retrieve her lost flute, which Creampanda finds and goes to return. Meanwhile Baikinman takes over Shabondama-hime's castle and steals the flutes, using their power to create evil bubbles, and Purun must realize her own importance and save the day with Anpanman's help.
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
In the gray dawn of an October day, as the inhabitants of a village street in Tripoli are engaged in the enjoyment of their several pursuits of life, an Arab rushes upon the peaceful scene, announcing that Italy has declared war against Turkey and that the Italian warships are now in the harbor, shelling the city.
Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
"We" is a visual essay on the state of being connected – a metaphorical study of interpersonal relationships and social constraints. Personal experiences and current social contexts are portrayed through a series of abstract analogies reflecting the essence of our everyday social interactions.
The survival instincts of a road-tripping family are put to the test when they have no other choice but to stay the night at a remote homestead.
As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
A novelist attends the trial of a woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. But as the trial continues, her own family history, doubts, and fears about motherhood are steadily dislodged as the life story of the accused is gradually revealed.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Russia, January 25, 1725. "Give it all...". The emperor's weakening hand was able to write in his will only these two short incomprehensible words that kept Russia in a bloody struggle for the crown for a century.
Alazar, a simple farmer who is also a beekeeper, meets the Three Wise Men Caspar, Melchior and Balthazar, who have set off to celebrate the arrival on earth of the Messiah. Alazar's magic bees become magically transformed into the tail of the bright comet which leads the four of them to the manger. At first, the brave young farmer's son is on the point of leaving the Wise Men to their fate because he has been forced against his will by their magic powers to leave his pregnant wife Izirah behind. He only very reluctantly agrees to the Kings' request to accompany them. Although the Three Wise Men make it very clear to him how important the Messiah's arrival on earth is, the relationship between the four men remains very tense. Nevertheless, despite all disagreements, our travelling companions soon become firm friends -and after several exciting adventures they finally succeed in locating the manger. The Three Kings then allow Alazar to return home to his loving wife.
Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.
A local activist and a budding young mayor clash over the best path forward for their impoverished suburb.
After surviving attacks by Zeon's Char Aznable and Garma Zabi, the crew of Federation warship White Base and its mobile suits must battle Zeon forces through Asia, Europe, and the Atlantic Ocean if they are to reach Earth Federation's headquarters alive. During that process, many of its crewmembers must overcome their fears, losses, immaturities, and insecurities in order to persevere.
Launder Run tells the story of Jake, a man returning to his gritty hometown after years away, carrying the weight of a troubled past. The film opens on a rainy Saturday afternoon as Jake trudges through a bleak estate, visibly exhausted and clutching a plastic bag. Arriving at his sister Sue’s chaotic, unkempt flat, he confronts the ruins of his old life—a dirty fridge, a cluttered bedroom reduced to storage, and the ghosts of a once-close family. Seeking solace, he revisits his old pub, a place teeming with memories. As he steps inside, the bartender recognizes him with shock, hinting at Jake’s mysterious past and the reasons for his long absence. “Lounder Run” explores themes of homecoming, redemption, and the unshakable grip of one’s origins.