Set in the French President’s office, Élysée embarks on a personal reflection on the aesthetics and representation of power. The film reactivates the concept of the King’s Two Bodies, first theorised by historian Ernst Kantorowicz, positing the idea of a power continuum going well beyond its physical incarnation in a single person.
Set in the French President’s office, Élysée embarks on a personal reflection on the aesthetics and representation of power. The film reactivates the concept of the King’s Two Bodies, first theorised by historian Ernst Kantorowicz, positing the idea of a power continuum going well beyond its physical incarnation in a single person.
2016-03-21
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Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.
Half lullaby for the dead, half lamentation on the twilight of the cinema.
Covert Action is a stunning melange of rapid-fire retro imagery accomplishing Child’s proclaimed goal to “disarm my movies.” “I wanted to examine the erotic behind the social, and remake those gestures into a dance that would confront their conditioning and, as well, relay the multiple fictions the footage suggests (the ‘facts’ forever obscured in the fragments left us). The result is a narrative developed by its periphery, a story like rumor: impossible to trace, disturbing, explosive.”
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
La orilla que se Abisma is conceived as a journey, a trip along a river. Like rivers, like all journeys, the film has meanders, small riverbeds, detours and moments of rest.
His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
An audio-visual installation by Helena Wittmann and Nika Son, based on the interaction of the shape and the sound from waves. The delicate image-installation arouses an awe of audiovisual senses to the audience. The shape of waves, the pitch of sound, and the innumerably changing waves made by screens of two different sizes, create the message of formation, evolution and extinction in the audio-visual, synesthetic sense.
A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
Dangerous Supplement is an incomplete index for the memory, a substitute for a vision that is yet to be born.' The film begins with a damaged landscape, an invisible landscape. All the images/places are metaphorically flawed or incomplete, being lost as fast as you can see them. They tip heavenwards or they fall to earth. (Mark LaPore)
Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
For a young boy, ordinary facts and things of daily life seem to have great importance.
Believe it or not, esoteric film sages, i.e., Phil Solomon, are open to the possibilities of working with video — and even video games. This is a film that takes images from the notorious wanton car-jacking shoot-em-up Grand Theft Auto video game.