Migration(2009)

Liberty: A Dozen or So Views(en)

In an early work, video artist Dara Birnbaum records a cross section of fellow passengers aboard the Staten Island Ferry while en route to the Statue of Liberty. Asking subjects to use her video camera to capture their own views of the iconic monument, Birnbaum creates an homage to the immigrant experience.

Motherland(de)

Director Miriam Pucitta grew up as the child of Italian migrant workers in Switzerland in the 1960s and 1970s. She herself has only fragmentary memories of this time; her mother and other relatives evade Miriam's questions. Together with her daughter Giulia, she researches her family's living conditions in Switzerland and finds a new understanding of her parents' difficult decisions.

Iragan gunea Berlin(eu)

'Iragan gunea Berlin' follows five people from different origins as they move anonymously around the streets of Berlin. Each of them with another life somewhere else, trying to ascertain where to go.

Problemas personales(es)

Documentary that focus on the lives of three Ecuadorian migrants. It is a portrait of the suffering, the effort and nostalgia of the Ecuadorians who arrived in Spain during the migratory wave of 1999 and 2000.

Porta d’Europa(en)

A migrant boat has been stranded in the Mediterranean Sea for 30 hours. As authorities ignore calls for help, the Sea-Watch Crew, an NGO, launches an urgent search.

Trek - Spy on the Wildebeest(en)

Each year over 1.2 million wildebeest travel across the vast Serengeti plains and Kenya's Masai Mara on a 1,800 kilometer circular journey, relentlessly followed by every big African predator. Revolutionary spy cams - airborne, swimming or disguised as rocks, skulls or dung - reveal the Great Wildebeest Migration from entirely new perspectives. This 2-part series focuses on the growing-up of a calf as he takes his first steps, faces his first deadly perils and tries to cross crocodile-infested rivers. It combines natural humor with exciting drama and gripping music.

A New Life, A New Fight(en)

A meeting between two strangers sparks the desire to understand each other through the medium of cinema. They both simultaneously start recording their surroundings on camera and crafting the resulting footage. They, Elettra from Italy and Hazem from Gaza, become the subjects of this film that documents their first moments together. It depicts a multi-faceted reality in which North and South confront each other in a discussion on rights and inequalities, a reality in which we witness a migration towards one another, while capturing an intimate way of making a film together.

The Face of a City(fa)

The stories of four Iranian families who emigrate to Canada and the city they leave behind. As departure time approaches, social spaces become places of memory, fading into the distance.

Special Flight(fr)

Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.

Aita Mari(es)

The Stella Maris Berria is a tuna vessel destined for scrapping. However, Iñigo Mijangos and Iñigo Gutierrez, two members of the NGO Salvamento Marítimo Humanitario, have an unusual idea: to transform the fishing boat into a rescue boat to save refugees drowning in the Mediterranean Sea. That is how Aita Mari was born.

Ritorno a casa(it)

The film explores the reasons for emigrating from Italy and describes the feeling of being a stranger in one's own country after many years in Switzerland. It is the sequel to Emigrazione.

Our Family(en)

"Our Family" is a film about the time that we can't get back. I left my home along with my friends and family behind in 2017, when I was aged 15 to study in the United States. In some ways I feel like I may have not been best suited to make that decision for myself at the time, but 4 years later, I decided to take this opportunity to reflect on my departure and to reconnect with my family. Because of the COVID-19 pandemic, I haven't been able to go home to Sikkim in over 2 years. Talking to my parents over WhatsApp, I recorded two interviews with them discussing stories from the collective past of our family as well as individual ones. I was able to discover the love story my parents were a part of before I was even born, recollect the bits and pieces of my childhood that I'm beginning to forget, and process how my departure has affected my relationship with my parents and the course of our lives.

Route 4(de)

Mirage(it)

Mali - Algeria - Libya - Italy. Issa’s escape from West Africa to the European mainland lasted ten years. Everything was supposed to be better here. But when he arrived in Rome, the only thing waiting for the young man was a life of homelessness and unemployment – which meant no money to send home. Drissa and Sekou share a similar fate, waiting in Italian asylum centres for a residence permit. Then there’s Bubu, who, forced to move from job to job, is unable to settle down. And lastly comes Alassane, who lives without identity papers in a state of constant uncertainty in a refugee camp near Rome. They all have one thing in common: after a gruelling odyssey, none of them has found the Italy they were hoping for when they arrived. Disillusioned, they find themselves in a vacuum of waiting, reflecting on the time they live in and the time that lies ahead.

Shipwreck at the Threshold of Europe, Lesvos, Aegean Sea: 28 October 2015(en)

On 28 October 2015, a migrant boat left the coast of Western Turkey heading to the closest European coast – the Greek island of Lesvos. The shipwreck resulted in the death of at least 43 people, making it the deadliest incident of that period, also known as “the long summer of migration.” One of the survivors, the artist Amel Alzakout, recorded the journey and the shipwreck on a waterproof camera attached to her wrist. This footage – which also forms the basis of her subsequent film Purple Sea – provides a unique situated perspective on this tragic event at the threshold of Europe.

Köy(de)

KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.

The Wildebeest Migration: Nature's Greatest Journey(en)

Every year, on the steppes of the Serengeti, the most spectacular migration of animals on our planet: Around two million wildebeest, Burchell's zebra and Thomson's gazelles begin their tour of nearly 2,000 miles across the almost treeless savannah. For the first time, a documentary captures stunning footage in the midst of this demanding journey. The documentary starts at the beginning of the year, when more than two million animals gather in the shadow of the volcanoes on the southern edge of the Serengeti in order to birth their offspring. In just two weeks, the animal herd's population has increased by one third, and after only two days, the calves can already run as fast as the adults The young wildebeest in this phase of their life are the most vulnerable to attacks by lions, cheetahs, leopards or hyenas. The film then follows the survivors of these attacks through the next three months on their incredible journey, a trip so long that 200,000 wildebeest will not reach the end.

El Camino(es)

Viacrucis Migrante(es)

Fale Comigo Verão: O diário de um cineasta amador(pt)

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.