Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
When a team of unlikely heroes hijacks a steam-powered battle wagon, a daring young wizard (Marek) steals the final piece of the all-powerful Darkspore and embarks on a desperate quest to deliver the cursed artifact to the gods for safe keeping; but when they are caught in a death race between a ruthless team of elite mercenaries and a trinity of demons, Marek must learn to believe in herself before her friends are killed and the Darkspore is lost, to stop the evil necromancer (Szorlok) from uniting the Darkspore and flooding the living world with his legions of undead.
On her first day at work, Areum replaces a woman who broke up with the boss. The wife of the boss finds a love note, bursts into the office, and mistakes Areum for the other woman.
This two-part, four-hour look at the life and presidency of George W. Bush features interviews with historians, journalists and several members of the president’s inner circle. Part One chronicles Bush’s unorthodox road to the White House. The once wild son of a political dynasty, few expected Bush to ascend to the presidency. Yet 36 days after the November 2000 election, Bush emerged the victor of the most hotly contested race in the nation's history. Little in the new president’s past could have prepared him for the events that unfolded on September 11, 2001. Thrust into the role of war president, Bush's response to the deadly terrorist attack would come to define a new era in American foreign policy. Part Two opens with the ensuing war in Iraq and continues through Bush’s second term, as the president confronts the devastating impact of Hurricane Katrina and the most serious financial crisis since the Great Depression.
A troubled young man falls for an American military auxiliary in postwar Italy. A year later, he relocates to the American Midwest to write his first novel, next to her elderly mother's house—separated by a grim garden.
12, is a comic parody about an office's obsession with the television show 24 as the their obsessions kick into high gear with the shows season finale approaching. Part The Office part 24, the short film mash-up introduces a novel send-up of these pop culture staples.
Four carolling children meet Jesus and Santa Claus and learn the true meaning of Christmas.
The Falls: Testament of Love is a continuation of the story of RJ Smith and Chris Merrill, two Mormon missionaries that fell in love during their mission in a small town in Oregon. The boys haven't spoken in five years, but when an unexpected tragedy compells them back to the Oregon town where they served, they find themselves, once again, thrust into one another's lives. As old feelings begin to surface they find themselves again facing difficult choices. If they pursue their desire to be together, RJ and Chris risk hurting the ones they care about as they embark on a spiritual journey to discover love, freedom, and happiness.
There could hardly be a more telling contrast between the analog and digital eras than the beautifully blurry memories captured in a Polaroid picture and the thousands of pin-sharp photos on an iPhone. In this ambitious visual essay, Willem Baptist explores the visionary genius of Edwin H. Land, the inventor of the Polaroid camera. Even today, all sorts of people are keeping his instant dream alive. Former Polaroid employee Stephen Herchen moved from the United States to Europe to work in a laboratory developing the 2.0 version of Polaroid. Christopher Bonanos, the author of Instant: The Story of Polaroid, tells us, "When I heard Polaroid would stop making film, it felt like a close friend had died." Artist Stefanie Schneider, who is working with the last of her stock of Polaroid film, is using the blurring that occurs with expired film as an additional aesthetic layer in her photographic work.
Eddie, Dov, and Yvan are back, still working in Paris' Sentier textile district, This time they're confronting the high-stakes world of large distribution after striking a deal with Eurodiscount, a European hypermarket chain.
The bonds between Naomi and Ely are tested when they fall for the same guy.
The Beatles stormed through Europe's music scene in 1963, and, in 1964, they conquered America. Their groundbreaking world tours changed global youth culture forever and, arguably, invented mass entertainment as we know it today. All the while, the group were composing and recording a series of extraordinarily successful singles and albums. However the relentless pressure of such unprecedented fame, that in 1966 became uncontrollable turmoil, led to the decision to stop touring. In the ensuing years The Beatles were then free to focus on a series of albums that changed the face of recorded music.
A movie crew invades a small town whose residents are all too ready to give up their values for showbiz glitz.
Ninety minutes of deleted and alternate takes from Twin Peaks: Fire Walk With Me, assembled by David Lynch to continue the story of the final week of Laura Palmer’s life.
Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.
A composition of symbolic, surreal and almost mystic images.
Dans ce spectacle, mis en scène par sa soeur Judith Elmaleh, il parle de son enfance, de son fils et de son père ; 750 000 places seront vendus.
When Sara takes Beethoven to spend summer vacation with wacky Uncle Freddie in an old mining town, the mischievous canine "digs up" the missing clue to a legendary hidden fortune of Rita and Moe Selig. Now everybody wants to be the dog's best friend as his discovery unleashes a frenzy of treasure hunting among the community's cast of kooky creatures. With help from Uncle Freddie and Garrett (a friend or maybe more), Sara and Beethoven try to help uncover a secret that has been in the crazy little town for years.
STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.
Eye of the Leopard follows the remarkable life of one small leopard from when she is just 8 days old every step of the way until she is 3 years old and on the brink of adulthood. Legadema, as she is named, works her way into your heart as she slips in and out of danger virtually every day, running from baboons and hyenas but also making landmark strides in hunting and surviving. Narrated by Jeremy Irons it is the story of a mother and daughter relationship as well as that of an emerging huntress in Botswana’s magnificent Mombo region of the Okavango Delta.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
CARMEN is the classic tale of forbidden passion between a young man and a spoken-for woman, Carmen. From ORF and TDK Music, this release features a live performance of Georges Bizet's 19th century operatic masterwork Carmen. Directed by Academy Award-nominated filmmaker Franco Zeffirelli, the production was shot on December 9, 1978, at the Wiener Straatsoper. Starring Elena Obraztsova in the titular role, the orchestra is conducted by Carlos Kleiber.
Just as a young woman is about to marry her sweetheart, she is discovered—by the entire village, to say nothing of her fiancé—asleep in the bedroom of a stranger. It takes the young man two acts to figure out that sleepwalking is to blame, and everything ends happily. Natalie Dessay as Amina and Juan Diego Flórez as Elvino deliver bel canto magic and vocal fireworks in Mary Zimmerman’s 2009 production. The Tony award-winning director transfers Bellini’s bucolic tale to a rehearsal room in contemporary New York, where an opera company rehearses La Sonnambula—and where the singers are truly in love with each other.
José Cura sings and acts here with an inwardness and intensity which make a profound impression. So does Krassimira Stoyanova as Desdemona, not in the first flush of youth, but heartfelt and direct; while Lado Ataneli's Jago is a brilliantly understated study in jovial malevolence. With strong conducting from Antoni Ros-Marbà, the whole cast collaborate to give us the truth of this desperately upsetting work, as no other DVD and few live performances I've seen of it ever have.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.
An introspective dentist's suspicions about his wife's infidelity stresses his mental well being and family life to the breaking point.
A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.
Cio-Cio-San, a young Japanese geisha, seeks to fulfill her dreams through marriage to an American naval officer. Her faith in their future is shattered by his empty vows and the loss she endures touches something deep within us all.
Le convenienze ed inconvenienze teatrali (Conventions and Inconveniences of the Stage) is a two-act opera that shines an exaggerated spotlight on the behind-the-scenes working of a theatre and the rehearsal process, showing what can go wrong when the egos of the performers get in the way of putting on a good show. A regional (and mediocre) operatic troupe is rehearsing a new work and faces numerous obstacles. The prima donna acts every bit the diva, refusing to rehearse. The Tenor finds himself in the wrong production and quite out of his depth. The Seconda Donna’s mother (played by a baritone) demands that her daughter be given a more prominent role, before deciding to take on several roles herself. Not be outshone, the Prima Donna’s husband takes to the stage too. When the show eventually collapses and the company tries to flee under cover of night, rather than pay back all the investors (whose money has already been spent), the Impresario has other plans…
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
Opera lies at the heart of Rimsky-Korsakov's colourful idiom, but performances are few and far between; this realisation of his penultimate and grandest stage work is a very rare and special experience. Kitezh is known as "the Russian Parsifal", which encapsulates its mystical flavour and steady unfolding of a legend of redemption
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
St. Margarethen is a magnificent structure and a grand setting for Nabucco. This venue, along with the gorgeous costumes, spectacular lighting, lasers and pyrotechnics made for one grand, five star production! This is reason enough to see it and it must be an advantage to view it on DVD.--It would probably be harder to digest the whole spectacle if you were actually sitting in the audience, as there is so much to take in. The whole cast was in great form, both in singing and acting. Simon Yang as Zaccaria and Igor Morosow as Nabucco were excellent. Gabriella Morigi was a convincing Abigail who got better and better. Bruno Ribeiro as Ismaele and Elisabeth Kulman as Fenena were great, too.
Gustav Von Aschenbach, a passionate composer, arrives in Venice as a result of wanderlust and there meets a young man by whose beauty he becomes obsessed.