2 adventurous teenagers decide to go into a supposedly haunted apartment building.
Taking us into what for Mark Augé is the ultimate non-place - an airport waiting lounge - Stacy Hardy and Jaco Bouwer provide still more proof of supermodernity's failure to do away with organic social life. Granted, the space we enter with them is not one of healthy connections between human beings encountering each other in a functional polis. Clearly, theirs is a world of radical disconnects. At the same time, however, it is a world in which people invent highly idiosyncratic lives for themselves - if there is one thing missing here it is precisely uniformity - and in which imaginaries go haywire. Indubitably, the Hardy/Bouwer airport lounge is a dystopian space and this space, it seems fair to say, functions as a synecdoche for a larger social condition. But dystopia here stands in radical opposition to uniformity and it is determined to break the mold of late capitalist habitus (Dominique Malaquais, SPARCK).
From Jerusalem to Haifa, stopping by Acre, Bethlehem and Ramallah, we travel across Israel and the West Bank to meet with Palestinian women shaping the cultural landscape. They are artists, chefs, performers, entrepreneurs, designers... and they tell us about their life, culture and identity in a divided and much disputed territory. The documentary features how these young women reinvent today their political and cultural battles.
"The Memphis Years" give viewers a glimpse into the first years in the life and career of Elvis Aaron Presley. This documentary shows fascinating details about Elvis' background and lets you experince the origins of his musical roots.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?
A psychedelic agent discovers her Third Eye: a rollicking romp of antics between two secret agents colleagues. Only seemingly a low profile appointment. Half backroom and hail-fellow-well-met, half acutely yet inconspicuously earnest, almost solemn. After all it is matter of nothing less than briefing latest instructions concerning an untrained new approach to the missions, where the agents have to quickly master esoteric techniques for improving their insight abilities.
Jeff Buckley's soaring falsetto was a beautiful freak, and force, of nature, its legacy still echoing in singers from Thom Yorke to Antony. Approximating the track list from his LP Grace, it's as thrilling as the original, with devastating performances from 1994 and 1995 that stretch nearly every phrase into cliffhanger improvisatory drama. And to see Buckley in all his self-possessed glory, trilling like a diva or waxing profound in a contrived TV interview, is to see an artist at his white-light peak.
Launder Run tells the story of Jake, a man returning to his gritty hometown after years away, carrying the weight of a troubled past. The film opens on a rainy Saturday afternoon as Jake trudges through a bleak estate, visibly exhausted and clutching a plastic bag. Arriving at his sister Sue’s chaotic, unkempt flat, he confronts the ruins of his old life—a dirty fridge, a cluttered bedroom reduced to storage, and the ghosts of a once-close family. Seeking solace, he revisits his old pub, a place teeming with memories. As he steps inside, the bartender recognizes him with shock, hinting at Jake’s mysterious past and the reasons for his long absence. “Lounder Run” explores themes of homecoming, redemption, and the unshakable grip of one’s origins.
A group of ghetto kids try to find out who killed a popular police officer.
The main (super)hero of Beatrice Baldacci’s documentary is a person depicted as the sum of her memories. The story of the director and her family is told in the first person, with home VHS recordings that show both Beatrice’s mother and Beatrice as a child taking on the role of an agent of memory. Outdated technology transforms the events of twenty years ago into an archaeological object.
After a Robbery at a jewelry story, a group of robbers takes refuge with a host in a shabby apartment building in the suburbs. But they don't know that in the basement hides an obscure alien creature with telepathic powers.
Mickey and his friends take a close look at important street safety situations and tips.