Famous skier Otto Lang is featured in a short documentary filmed at Mt. Whitney and Mt. Baker, and premiered on 4 February 1938 at Radio City Music Hall with NYC screenings of Disney's Snow White and the Seven Dwarfs (1937).
A film about three ski-bums (Run Funk, Mike Zuetell and Ed Ricks) that are followed by another ski bum (Dick Barrymore),with a 16mm Bolex camera, who filmed a four-month part of their nomadic and vanishing-breed way of life across four continents. These are four people doing every day what others work fifty weeks of the year to buy for two weeks. They were also becoming a vanishing breed who were becoming unwelcome from Aspen to Val d'Isere.
The story of five skiers, sponsored by K2, who tour the U.S. in a red, white and blue van that matched their skis. They travel like a pack of joyful wolves, devouring powder and looking for challenges. Just 26 minutes in length, the film offers ferocious detail, with ski footage that still holds up today. The film revealed the ski culture as a surrogate family. In an interview years later, skier Charlie McWilliams recalled how people came up to him to explain how they deeply identified with this happygo- lucky skiing clan. He saw the film as a groundbreaking portrayal of skiing as a tribal experience. “It was the first time anybody had gone out and made a film of a group of guys traveling around the country having a great time skiing.”
Known for his commentary-laden chronicles of key moments in winter sports history, the late John Jay is considered by many to be the founding father of the modern-day ski film. This installment of the "Classic Ski Films" series presents Jay's coverage of the 1960 Winter Olympic Games in Squaw Valley, Calif., which includes the opening and closing ceremonies, the 90-meter ski jump and the dramatic USA vs. USSR hockey game.
Skifully Yours by noted ski film director Otto Lang, offers a charming look at the Sun Valley, Idaho, ski scene of the late 1930s.
Shot in 1941, this black-and-white instructional film (featuring actor Alan Ladd) serves as a veritable time capsule on the history of the sport, with advice on ski design, schussing, lacquer, wax and toe plates.
A breathtakingly beautiful film loaded with laughs. Travel from the American Rockies to the uniquely picturesque scenery of the European Alps. Catch scenes of the Bugaboo Mountains of British Columbia; Vail, Colorado; Switzerland; Japan; Australia; and Russia. Highlights include Stein Eriksen, Norwegian world Champion skier, performing among the gum trees and irrigation ditches of Australia as well as skiing among the crevasses of the Tasman Glacier in New Zealand.
Before the high-tech advancements of Fiberglas, aluminum poles, release bindings and artificial powder, it was a simpler time in the world of winter sports: It was just you, your skis and the snow that lay ahead. Rounding up works produced in the 1940s, '50s, '60s and '70s by iconic ski-film director John Jay, this retrospective sampler offers a nostalgic look at what's called "the golden age of American skiing."
Beginning in picturesque Taos, New Mexico in the Sangre de Cristo Mountain Range Jay continues on a laugh a minute cruise through Vail and Aspen, Colorado; Klosters and Zermatt, Switzerland; Japan; Sun Valley, Idaho; Mount Snow, Vermont; Persia; and New Zealand. Highlights are numerous and include the daring race on an avalanche slope by world champion skier Helli Lantschner as well as the camel safari to ski the Atlas Mountains in Africa.
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
In this charming documentary, director Gillian Leahy combines her two great passions: dogs and film. She openly reveals her life story through a canine prism – lovers may come and go, but there are always the dogs. Leahy also weaves in her filmmaking career, starting out at the Women's Film Workshop in 1970s Sydney and the newly formed AFTRS. Dogs have carried her through childhood illness and heartbreak; in return she lavishes care, and frets over their waywardness. Today, she shares her life with a big brown Labrador called Baxter. There are echoes of Leahy's award-winning My Life Without Steve, a study in love and loss, in this meditative and romantic film.
A mockumentary about Doctor Kurz, the inventor of the BioK-2: a rejuvenating drug extracted from ñandús (rheas).
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil.
The Robert Mapplethorpe documentary, from 1988--one year before he died--is an excellent examination of one of the most controversial of American photographers. British documentarian Nigel Finch does an outstanding job fusing interviews with Mr. Mapplethorpe himself, with critic and author Edmund White, and with several of Mapplethorpe's subjects as well, with numerous shots of the man's work. Mapplethorpe, gay, did not hesitate to photograph what he wanted to without fear of reprisal or censorship. Indeed, a good number of his pieces were not shown in the documentary at its original airing on PBS with the comment, "Considered Unsuitable for Viewing On This Transmission." His openly sexual work can at times be more than shocking, but it is always powerful and direct; as critic Lynn Davies says in the documentary, he did not pose people but photographed them doing what they would normally do in the course of their lives.
This controversial documentary created a storm in Russia by taking the cloak off a violent, repressive period of Soviet history. Filmmaker Semyon Aranovich found the last surviving personal bodyguard of Joseph Stalin, Alexey Robin, who began working for the dictator in the 1930s.
Monte Hellman's short portrait of Francis Ford Coppola discussing business and craft at home and on the set of his Zoetrope Studios.
Documentary that explores the role of the Chilean Catholic Church in the fight against Augusto Pinochet’s dictatorial regime, giving great emphasis to the creation of the Vicariate of Solidarity and protests against violations to human rights.
At 37 years old, time is not on his side. Sergio 'Marvelous' Martinez can drop the best boxers with his lightning strikes, floor the most beautiful women with his devastating looks, and has a hard-scrabble immigrant story and work ethic that make him the hero of the Latin street. But a willingness to call it the way he sees it and speak truth to power, has left him a virtual pariah in the notorious corrupt world of professional boxing. This is story of a man fighting to fight. But the clock is ticking. It may already be too late.
Follows Jen Shah, a star of Bravo's "The Real Housewives of Salt Lake City," who was arrested and indicted for fraud and money laundering.