
A tragic love story is about deal with the devil. Dong-a is a boy who is longing for eternal love. Yu-rie is a call girl whose name comes from an alaska native. Donga works at the Heaven gas station, across from the Papa motel where Yu-rie works as a call girl. Donga loves Yu-rie so passionately, that he sells his soul to the Devil in return for 10 years of love with Yu-rie. When the devil returns at the end of ten years to claim Donga’s soul, Donga decides to kill the devil.

A tragic love story is about deal with the devil. Dong-a is a boy who is longing for eternal love. Yu-rie is a call girl whose name comes from an alaska native. Donga works at the Heaven gas station, across from the Papa motel where Yu-rie works as a call girl. Donga loves Yu-rie so passionately, that he sells his soul to the Devil in return for 10 years of love with Yu-rie. When the devil returns at the end of ten years to claim Donga’s soul, Donga decides to kill the devil.
2008-01-31
7
5.0A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
9.1A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
8.0Making of documentary surrounding the production of ‘Anora’
6.0An Elvis Costello concert film with guest Emmylou Harris.
8.7Pili, a 51-year-old widow, unexpectedly leaves her home when, on her way, she is interrupted by the presence of an alien. After trying to tell her children about the extraterrestrial encounter and being ignored by them, she must investigate how to deal with this being. Meanwhile, she grapples with new desires to abandon the traditional life she has always known. In the end, she will have to confront and accept her deepest fears in order to fight this alien.
4.2A love story about two gay wrestlers living in rural Iceland who must keep their relationship a secret from the inner world of Iceland's national and very macho sport.
10.0Tao-Tao the baby rabbit goes to a theme park and goes on a pretty cart ride.
A young Chadian goes to Lybia to seek his fortune, but comes home empty handed.
2.3When a social worker takes a group of non-violent criminals to the woods as a progressive rehabilitation program that will get them a reduced sentence for their crimes, it seems like she has thought of everything and nothing can go wrong. But Freddy Palmer is an insane killer who wears a mask and likes to chop up every person he sees with his trusty axes, and he is back in these woods.
4.0Edo period, Heizo Hasegawa was feared by thieves and villains as "Heizo the Oni". A young man inspects Heizo's surroundings to find out more about him, visiting Kumehachi, Hikoju, and Omasa. Heizo's true colors as a person start to become apparent.
6.5Seventy-year-old filmmaker Karel Zeman recapitulated his thirty years of work in the field of animated and trick films. The film Karel Zeman for Children includes excerpts from Baron Prášil, The Tale of Hansel and Gretel, Mr. Prokouk, King Lávra and Journey to the Prehistoric Times. The film is presented on the 100th anniversary of the birth of this important figure of Czech cinema.
4.0The mobster Don Cornelio is planning a big heist. However, the mobster's plans will come to an inglorious end when Jack, a notorious American thug, returns to Greece.
3.4Convicts on a chain gang sniff formaldehyde fumes to get high. They attempt a prison break and are shot down by the guards. After being buried, they rise from the dead, killing all in their path with shovels and hoes.
0.0There are countless stories of Cubans reaching their dream destination of Florida as boat refugees. A lesser known route to the United States starts with a flight in a ramshackle plane to Guyana. Then the refugees travel to Colombia where they cross the jungle to arrive in Central America, from where they hope to reach the promised land of America—a hard and dangerous journey. Cuban filmmaker Marcel Beltrán visits them in a refugee camp in Panama, where one of the residents gives him an idea. Many people here have filmed their journey, she says, and these videos tell their real story. These jerky, shocking videos are interspersed with Beltrán’s footage of the camp, tangibly illustrating the difference between the hectic pace of the journey and the insecure life at the reception center.