

Duke hates his job. He has to let kids climb on his back and ride him for hours every single day. But one brat finally pushed him too far. Duke has broken free of his ride and is on a bloody rampage of revenge. He's going to murder that kid and anyone that gets in his way.
Duke (voice)
Preston
Laurie's MILF
Lunchbox
Cowboy Cool
4.3I'm Tara, I like killing people! I've been doing it a long time now and realized there might be some folks that want to see what it's like. So I made this movie to show you all of the steps of how to brutally murder a person while never forgetting what the holidays are all about! This year, I'm dreaming of a Red Christmas!
7.1Two inmates tunnel through the walls of a hellish prison, only to find something more terrifying than death row.
7.1Two friends Marzouk and Barakat, work with street vendor Batta on her cart in the melon trade. Al-Gayiar who works in the trade of stolen cars admires them, they work with him till they become his competitors. He decides to get rid of them after they've become a treat.
7.2Phase Gaye Re Obama is a comedy set against the backdrop of global recession/meltdown that originated in USA. The film traces the journey of OM Shashtri, an American citizen of Indian origin, who loses all his wealth overnight to the global recession & has been asked to vacate his home by the bank unless he pays up $100,000 (mortgaged amount) within 30 days. Seeing no other option Om comes to India to sell a small piece of an ancestral property. But within days of landing in India he is kidnapped by a 'recession-hit' underworld gang those who think that he is still a millionaire. What happens to Om, is he able to save his home, how did the 'poor' gangster cope with their 'poor' catch & what do small town Indian gangsters have to say to President Obama...is largely forms the rest of the story. The film, showcases how global recession/ meltdown impacted lives from an America based businessman to underworld dons in the dusty plains of small town India.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
4.0The film follows the daily experiences and dreams of the residents of a specific type of seclusion of freedom in which the convicts assume the maintenance of the space, the control of their own activities and their security. With a multifaceted approach, it proposes a reflection on the creative potential of incarcerated people, the documentary genre itself and its truth.
8.3On the way to Daphne's relatives' condominium, the Mystery Inc. gang detours through the town of Winter Hollow, where the vengeful Headless Snowman has destroyed the town's Christmas spirit.
8.0Dusk or dawn, stuck in subconsciousness until we can’t separate between the true self and appearances. Is it even possible that we will be free from our own sake?
9.0A COLLEGE BOY TRYING TO GET SOME LUMP OF MONEY FROM HIS DAD.
9.3Mickey and his friends take a close look at important street safety situations and tips.
10.0A brief, poetic 16mm film on a simple sculptural action. What becomes apparent is the humor possible in material interactions and the tender and sometimes melodramatic symbolism of cut flowers. What begins as a reverence for natural beauty ends up pointing towards the abstract expressionism and color field work of high modernism which, in many cases eschewed the banality of such 'natural' beauty. The collaged soundtrack suggests weightier concerns, gently insistent behind the flatness of the utilitarian sounds of ripping tape.
7.0This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.
5.3Bruce Baillie's Mr. Hayashi might be thought of as a putative East Coast story transformed by a West Coast sensibility. The narrative, slight as it is, mounts a social critique of sorts, involving the difficulty the title character, a Japanese gardener, has finding work that pays adequately. But the beauty of Baillie's black-and-white photography, the misty lusciousness of the landscapes he chooses to photograph, and the powerful silence of Mr. Hayashi's figure within them make the viewer forget all about economics and ethnicity. The shots remind us of Sung scrolls of fields and mountain peaks, where the human figure is dwarfed in the middle distance. Rather than a study of unemployment, the film becomes a study of nested layers of stillness and serenity.
5.8Narrator Hughie Green tells "jokes" over clips of old silent films. Including greats such as Fatty Arbuckle, Buster Keaton, Charlie Chaplin, the Keystone Cops and more.