Introducing Krazy Kat and Ignatz Mouse(1916)

Krazy Kat Goes A-Wooing(en)

Krazy Kat tries to serenade Ignatz Mouse.

Stop-and-Cop Interactive(fr)

STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.

Six Reasons Why(en)

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Re-Existences(pt)

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

A Boy Called Po(en)

A recently widowed, now single father struggles to raise his sixth-grade son with autism. The pressure of his job and coping with the loss of his wife proves to push him nearly to the breaking point.

Farewell Moscow(it)

Naruto Bersyukur(id)

A short film by Marsha Timothy, adapted from short story “Naruto Bersyukur” by Pidi Baiq.

Beethoven's 3rd(en)

Everyone's favorite St. Bernard returns in this family film about man's best friend. Richard Newton, his wife Beth and kids Brennan and Sara shove off in their camper for a road trip. Along the way, they gain a new passenger: slobbery Beethoven. The Newtons plan to return Beethoven to his owner -- but not before he turns hero when a pair of thieves enter the picture.

Bonanza: The Return(en)

A man with a grudge against the late Little Joe seeks revenge on the Cartwrights and attempts to take over the Ponderosa.

Red(en)

Red is the story of three teens in rural Pennsylvania who are torn apart by the closet. James and Lizzy's seemingly normal relationship is shattered by Aaron, the guy James hooked up with and who is unable to bear their secret and confronts James.

Red(xx)

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

Closed For Maintenance(ar)

The story of an abused young man who decides to take matters into his own hands, but...

Godzilla vs. Destoroyah(ja)

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

Murphy's Law(en)

A tough police detective escapes from custody after being framed and arrested for the murder of his ex-wife, and must now find the real killer and prove his innocence.

Strange Object(en)

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Pound x Pound: The History of Juan Manuel Márquez(en)

Pound x Pound introduces you to the world of boxing elite through the eyes of Juan Manuel Marquez, four-time world champion. It is a ringside ticket to the professional and personal life of Juan Manuel. An unique access to the truth behind the rivalry with Manny Pacquiao. Read the story behind the Mexican idol, who through work, effort, sacrifices and frustrations, has established itself as one of the best pound for pound fighters in the world.

Forest(en)

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Terra Nullius or: How to Be a Nationalist(en)

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.