Drumroll(1993)

Cherrie - ut ur mörkret(sv)

Teddy Pendergrass: If You Don't Know Me(en)

The untold and ultimately inspiring story of legendary singer, Teddy Pendergrass, the man poised to be the biggest R&B artist of all time until the tragic accident that changed his life forever at the age of only 31.

Cincinnati's Rock 'N Roll Legends(en)

An excellent comprehensive look at all the music that came out of Cincinnati, Ohio. Cincinnati "Rock Legends" "James Brown" "King Records" "Pure Prairie League" "Lemon Pipers" "Syd Nathan" WEBN "Bootsy Collins" "Lonnie Mack" "The Who concert 1979" "Rick Derringer"

Test(en)

A seemingly unremarkable man spends a day taking a bizarre test at a mysterious facility. Through his day he interacts with the odd, detached employees of the facility, guiding him from section to section, obscuring the intentions or duration of the test.

Projota - AMADMOL (A Milenar Arte de Meter o Louco)(pt)

way(en)

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Man(en)

An experimental film through the eyes of a man

RES CREATA - Humans and other animals(it)

El Retorno Perpetuo(es)

The Neighborhood Nightmare(en)

When Lindsay Porter, responsible mother and head of the local neighborhood watch program, falls for Stephen, the handsome new bachelor on the block, she begins to fear she and her daughter's lives may be in grave danger.

Disney Parks Frozen Christmas Celebration(en)

Disney puts a “Frozen” twist on its 31st annual Christmas Day television special. More than a parade, the joyous occasion includes festive musical performances, and the reunion of three groups of families and friends who have been apart or separated for the holidays.

Hello(gu)

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

Hello(hi)

Call-center workers receive a phone call from God.

Come On In! The Water's Pink(en)

The Pink Panther arrives on his motorcycle at Bicep Beach, where a hulky, egotistical man is flexing his muscles for a group of bathing beauties. Using his bag-full of inflatable items, including muscles, weights, a swimming pool, waterskis, and balloon animals, the Pink Panther diverts the beauties' attention away from the muscleman, who angrily tries to regain his dominant-guy-on-the-beach status.

Wenn Gott will(de)

RR(en)

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

Courrier du cœur(fr)

А где Матвей?(ru)

Dial H-I-S-T-O-R-Y(en)

An acclaimed hijacking documentary that eerily foreshadowed 9/11. We meet the romantic skyjackers who fought their revolutions and won airtime on the passenger planes of the 1960s and '70s. By the 1990s, such characters were apparently no more, replaced on our TV screens by stories of anonymous bombs in suitcases. Director Johan Grimonprez investigates the politics behind this change, at the same time unwrapping our own complicity in the urge for ultimate disaster.

RETURN(ja)

8mm work directed by Norihiko Morinaga.