
This staging of Harrison Birtwistle's opera The Minotaur features John Tomlinson, Johann Reuter, Christine Rice, and Andrew Watts in the main roles. Stephen Langridge directed the production for the stage, and Antonio Pappano conducted the orchestra.



This staging of Harrison Birtwistle's opera The Minotaur features John Tomlinson, Johann Reuter, Christine Rice, and Andrew Watts in the main roles. Stephen Langridge directed the production for the stage, and Antonio Pappano conducted the orchestra.
2008-06-07
6
6.0An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
7.7Cheerful Mimiko has a wonderfully strange family—a Panda for her Papa; and his son Panny, calls her Mom! When Panny follows Mimiko to school, he must pretend to be a teddy bear so Mimiko won't get into trouble. Despite his efforts to behave, Panny causes trouble in school and now the school is after Panny! Then, Panny makes a new friend, Tiny, a baby tiger who's wandered off from the circus.
9.0In the forests of Halland lies an old car workshop run by a dysfunctional raggar family.
8.0Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.
7.3An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
9.0Youp van 't Hek cheerfully flits between the following four questions: What are we willing to die for? How high will we rise in heaven? What does heaven have to offer us? Why is life on earth such hell for so many people? Youp doesn't give any real answers because he simply doesn't know them, but his jokes do lighten the mood.
10.0A brief, poetic 16mm film on a simple sculptural action. What becomes apparent is the humor possible in material interactions and the tender and sometimes melodramatic symbolism of cut flowers. What begins as a reverence for natural beauty ends up pointing towards the abstract expressionism and color field work of high modernism which, in many cases eschewed the banality of such 'natural' beauty. The collaged soundtrack suggests weightier concerns, gently insistent behind the flatness of the utilitarian sounds of ripping tape.
6.0An innocent mix-up leads to disaster when two girlfriends encounter an extraterrestrial substance at a winter music festival.
4.7After having been wrongly accused of murder and robbery, a heretofore kindly and gregarious weaver becomes a nasty, bitter, lonely old miser. Originally a seven-reel picture, a three-reel re-release survives.
10.0Using a childhood experience of racial bigotry at school, this film looks at the ways in which racism is ingrained in American society, even in the play of children. MONIQUE is a compelling exploration of identity and memory.
7.0Masha and Valya, vegetarians and abstainers, invite their former friends Natasha and Sergey over. Natasha and Sergey took a mortgage, they are planning a child. Natasha tries to persuade Masha to throw a wedding party, nevertheless she hints at Valya being no good for Masha. Masha in reply tells Natasha that her husband Sergey drinks vodka on the quite. Natasha makes a scene to Sergey. Masha tries to reconcile friends and convince them of their relationship being cracked. The guests are leaving. Valya blames Masha for climbing out of her business. Masha and Valya have a quarrel. Masha remains alone.
7.2While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.
6.5After living abroad for several years, journalist John Royer returns to the United States just after the U.S. enters World War II. His boast that he could easily smuggle rubber, a key wartime natural resource, out of Malaya has him tasked with doing just that. He manages to get someone from his past, Carnaghan, sprung from Alactraz and together they head off to South East Asia posing as Irishmen. Once there, Carnaghan lines up some of his old cronies and with Royer and a few plantation owners plans to smuggle the rubber out from under the Japanese army's watchful eye.
7.4The Rock returns home to be The World’s Most Electrifying Host of WrestleMania XXVII from Atlanta, GA. The Great One will lay the SmackDown on all of the pomp and festivities that makes WrestleMania the world’s greatest, annual pop culture extravaganza. John Cena looks to dethrone the self-proclaimed “most must see WWE champion in history” the Miz. Undertaker’s legendary 18-0 WrestleMania winning streak has never been in greater peril when Triple H challenges the Phenom. Alberto Del Rio looks to fulfill his destiny and take Edge’s World Heavyweight Championship. A bitter and personal rivalry comes to a head when Randy Orton battles CM Punk.. All this and more when the Superstars of WWE invade the Georgia Dome for WrestleMania XXVII.
5.6An investigative journalist is found beaten to death in his home, where the fingerprints of a notorious criminal debt collector are also found. The murdered journalist has been threatened by right wing extremists, but it is the victim’s work with a book about “society’s dark side” that captures the Beck group’s interest. When the case takes an unexpected and terrible turn, there is suddenly much more at stake than finding the journalist’s killer. Martin Beck and his colleagues have never had to protect the balance of their professional and private lives with the same tenacity as they do now.
6.4A young policeman gets into trouble after winning the lottery. Adventure and problems follow, as well as lots of beautiful women. The officer runs danger to fall prey to a large scam, but he also can find true love and realizes: in order to win his fate, he has to take chances and play.
6.5This video documentary follows Alice's career from his discovery by Frank Zappa at the Wiskey-a-GoGo in Los Angeles to his "Hey Stoopid" album in 1991. It looks at his personal life, like his long-time marriage to Cheryl and his battle with alchoholism, and professional relationships with his manager Shep Gordon and his producer Bob Ezrin. The Prime Cuts documentary was originally released in 1991 on VHS then reissued 16-Oct-2001 as part of a 2-disc DVD set with additional material.
6.0All Ted wants to do is pay for his shopping, but the shoddy self-service and eerily elusive shop workers have other, far more sinister, ideas. A twisted horror-comedy about just how dark a customer service nightmare can get.
0.0With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera. Returning to it years after initial production debacles, Berlioz stated that he would 'never again find such verve and Cellinian impetuosity, nor such a variety of ideas.' The plot revolves around Cellini's wooing of Teresa, a match frustrated at every opportunity by his rival, the cowardly Fieramosca. Benvenuto Cellini is a pithy work combining romance, excitement, violence, comedy and spectacle; the perfect stage for Terry Gilliam's stylishly colorful and larger than life directing.
0.0Richard Wagner's Parsifal, staged at the Teatro Massimo in Palermo in 2020, opened the opera season on January 26. The production, directed by Graham Vick and conducted by Omer Meir Wellber, featured staging with references to the imagery of war.
0.0Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.
7.7After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
0.0Franz Woyzeck, a lowly soldier stationed in a mid-nineteenth century provincial German town, is the father of an illegitimate child by his mistress Marie.
8.0The great singing actress Nina Stemme gives a heart-wrenching performance in the title role of Strauss’s blazing one-act drama, adapted from the ancient Greek myth. Patrice Chéreau’s acclaimed production—the last staging he worked on before his death in 2013—also stars Waltraud Meier as Klytämnestra, Elektra’s nightmare-haunted mother, Adrianne Pieczonka as Chrysothemis, her sister, and Eric Owens as Orest, their brother, whose return home brings their family story to a terrifying climax. Esa-Pekka Salonen conducts the monumental and highly influential score.
0.0Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems… Tamino and Papageno discover Sarastro is a wise and kind leader. They undergo three ordeals. By the end they are united with their true loves: Tamino with Pamina, and Papageno with his Papagena.
0.0The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title. Spanish soprano Isabel Rey is her opponent Arminda, and Arminda's former lover, the melancholy Cavaliere Ramiro, is sung by Romanian mezzo Liliana Nikiteanu. Moretti's staging presents the action in a modern villa in a hierarchical world of the rich and famous.
6.5La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
8.0Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
0.0The Biblical story of Belshazzar's hubristic arrogance, set against the valour of the young warrrior-leader Cyrus, provided the 20-year-old Rossini with a dramatic story enriched by West-Eastern implications which still speak to us today. For the title role of Cyrus, Rossini wrote what would be his longest-ever contralto role, to which the great Rossini singer Ewa Podles´ is both naturally attracted and ideally suited. She is partnered by two young stars of Rossini singing, Jessica Pratt and Michael Spyres, and a conductor-scholar, Will Crutchfield, of great experience and sympathy. Filmed in High Definition and recorded in true Surround Sound.
10.0Sasha Regan’s award-winning All-male Company are set to lift everyone’s spirits with a treat in their new West End pirate’s cove. The swashbuckling pirates and their winsome lasses sail into the Palace Theatre with their inventive new take on W. S. Gilbert & Arthur Sullivan’s classic operetta THE PIRATES OF PENZANCE. Featuring a dazzling cast singing songs including: “I am a Pirate King”; “Oh, happy day, with joyous glee” and “A rollicking band of pirates we”, they are sure to raise the roof off the Palace Theatre!
0.0Carlos Álvarez takes the title role in the first of Verdi's Shakespearean operas, with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production, first staged at London's Royal Opera House.
0.0Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast features American soprano Kristin Lewis who has been heralded for her remarkable voice, which she uses with powerful dramatic instinct, and Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence. Gianandrea Noseda leading the Orchestra and Chorus Teatro Regio Torino received accolaides from all: he controls everything- orchestra, singers, chorus, dancers, acrobats- with an all-encompassing overview. He knows exactly when its time to linger over a timbre, a color, an expressive chord.
7.0The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
0.0Joan Sutherland's farewell performance to the operatic stage offsets this story of the St. Bartholomew's Day massacre and the magnificence of 16th century France.
0.0Opera in one act, libretto by G. Forzano based on Dante's Divine Comedy. Third part of his opera Triptych. The plot is based on canto XXX of "Inferno" from "The Divine Comedy", which are dedicated to the rogue and deceiver Gianni Schicchi, who was punished for his sins: he impersonated a dying rich man in order to make a forged will on his behalf. Gianni Schicchi is Puccini's only comic opera, a brilliant example of a modern opera buffa based on the tradition of Verdi's Falstaff. The most expressive recitative, bubbling melody, sharp character, impetuous tempo distinguish her music. Recorded live at Glyndebourne Opera House, Sussex, UK on 11 July 2004.
The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.
9.0Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus
0.0There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious. As many other critics have noted, the young lovers have not yet sorted everything out as this performance ends. Act One begins with the principal characters running around in the outdoor theater -- while the audience takes it in as if they had been advised to sit back and enjoy the novelty. Very likely they were also asked to refrain from applauding at the end of arias and ensemble pieces, in which the three-hour opera abounds.