The Girl of the Golden West(2013)

La bohème - Liceu(es)

Romeo et Juliette - Liceu(es)

Theodora(en)

The oratorio concerns the Christian martyr Theodora and her Christian-converted Roman lover, Didymus.

A Cossack Beyond the Danube(uk)

A Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.

Cossacks Beyond the Danube(uk)

Adapted from the opera written by the composer Semen Hulak-Artemovsky.

Wagner: Tannhäuser(en)

Anew production of Tannhäuser, which was premiered on 26 July 2019 and presented the Bayreuth debut of conductor Valery Gergiev, as well as the house debut of young soprano star Lise Davidsen. Tobias Kratzer’s staging presented Tannhäuser as a wildly contemporary parable of art and freedom which was praised as “novel” and “wrenching” (New York Times) and received exceptional press acclaim. hey were joined by mezzo soprano Elena Zhidkova’s Venus (“scene stealing”, according to Opera Today), baritone Markus Eiche’s Wolfram and Stephen Milling’s Landgraf.

The Fiery Angel(it)

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

And the Spring Comes(zh)

In a grimy provincial industrial city, a talented but unattractive schoolteacher dreams of an operatic career.

Force of Love(ko)

Two men meet and confront each other over a woman. Visibly different in appearance, the two men engage in a continuous battle of nerves. While the woman steps out to use the restroom, the men go up to the rooftop and start arm wrestling.

U-Carmen eKhayelitsha(xh)

U-CARMEN is a feature film based on Georges Bizet's 19th-century opera that was filmed on location in a modern South African township setting. The energy, compassion, and heat of township life in all its elements create a constantly visually interesting and dynamic background for the unfolding of the story, which owes part of its huge popularity to the thrilling combination of a violent gangster tale with a passionate, almost supernatural love story. As it unfolds, it explores issues of fame and wealth, the position of a strong and independently minded woman in a very masculine society and, perhaps most importantly, the incomprehensible attraction between abuser and victim. Bizet's opera, based on Prosper Merimée's novel, premiered in Paris on March 3, 1875. Set in a poor area of Seville, the story of the magnetic woman who seduces, loves, and ultimately destroys her lover and herself...

Philip Glass: Satyagraha(en)

Following the success of his first foray into opera, Einstein on the Beach, revolutionary American composer and musician Philip Glass soon turned to another great figure of the 20th century for inspiration. Set to lines from the Hindu Bhagavad Gita, Satyagraha depicts scenes from the life of Gandhi as he developed his philosophy of non-violent resistance in South Africa between 1896 and 1913. The opera became the second installment of Glass’s Portrait Trilogy, focused on innovators from across history. Satyagraha arrived at the Met during the 2007–08 season, when director Phelim McDermott made his debut with a production that employed everyday materials like newspaper and corrugated tin to create towering puppets and striking tableaus. In 2011, his staging returned, this time recorded live in HD. In this performance, tenor Richard Croft gives a moving performance as Gandhi, leading a remarkable ensemble cast conducted by Dante Anzolini.

In War and Peace - Harmony Through Music(en)

Recorded live in June 2017 at the magnificent Liceu Theatre in Barcelona, this DVD is the companion to Joyce DiDonato’s award-winning album In War and Peace: Harmony through Music. Seeking answers to the existential question “In the midst of chaos, how do you find peace?”, it makes a compelling piece of music theatre as DiDonato journeys through arias by Handel, Purcell, Monteverdi, Leo and Jommelli with Il Pomo d’Oro and conductor Maxim Emelyanychev. On stage, In War and Peace: Harmony through Music makes a compelling piece of music theatre. In Barcelona, as on the European and North American tours she made in late 2016, DiDonato was joined by the baroque orchestra Il Pomo d’Oro and its principal conductor Maxim Emelyanychev. May and June 2018 bring further performances in Portugal, France, Germany, Turkey and Hungary.

The Metropolitan Opera: Aida(it)

With its cast of hundreds, thrilling score, and sweeping tale of love and heroics in ancient Egypt, Verdi’s Aida has long been a fixture on the stages of every major opera house in the world. For the 2018 revival of Sonja Frisell’s monumental production of this grand masterpiece, the Met assembled a truly all-star cast. Soprano Anna Netrebko takes on the title role for the first time at the Met, and mezzo-soprano Anita Rachvelishvili plays her rival, the conniving princess Amneris. Tenor Aleksandrs Antonenko is Radamès, the warrior that both women love, and Quinn Kelsey lends his robust baritone to Aida’s father, the fallen king Amonasro. Maestro Nicola Luisotti is on the podium to conduct this epic performance, filmed as part of the Met’s series of Live in HD cinema transmissions.

The Metropolitan Opera: Samson et Dalila(fr)

A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.

The Metropolitan Opera: La Fanciulla del West(it)

Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West, with the heralded return of tenor Jonas Kaufmann in the role of the outlaw she loves. Tenor Yusif Eyvazov also sings some performances. Baritone Željko Lučić is the vigilante sheriff Jack Rance, and Marco Armiliato conducts.

The Metropolitan Opera: Marnie(en)

Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.

The Metropolitan Opera: La Fille du Régiment(fr)

Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts.

Poulenc: Dialogues des Carmélites(en)

Yannick Nézet-Séguin leads the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom. Mezzo-soprano Isabel Leonard sings the touching role of Blanche and soprano Karita Mattila, a legend in her own time, returns to the Met as the Prioress.

Bizet Carmen(fr)

Live recording from Oper Zurich, 2008, DVD release 2014. Jonas Kaufmann, 'the Prince of Tenors', appears with international star Vesselina Kasarova in Zürich Opera's starkly palpable staging of Bizet's ever-popular Carmen. The production sees Don José (Kaufmann) abandon his teenage attitudes in pursuit of Kasarova's free and independent Carmen - realising too late that his self-control has vanished, along with his youth.

The Metropolitan Opera: Francesca da Rimini(en)

Eva-Maria Westbroek stars in the title role of Zandonai’s sensuous drama, opposite Marcello Giordani as Paolo. Piero Faggioni’s lush production provides the perfect setting for one of the all-time great tales of tragic passion, adapted from an episode in Dante’s Inferno. Mark Delavan co-stars as Giovanni, the husband and brother of the star-crossed lovers, whose jealousy leads him to kill them both. Robert Brubaker is Malatestino and Marco Armiliato conducts.