Slaughterhouse(2001)

Every Ambulation a Betrayal(en)

Return to 'burn' only to find out you're already in that urn.

Everything(pl)

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

L'album de famille de Jean Renoir(es)

Les voyages de L'Atalante(fr)

untitled minneapolis project(en)

A homeless man living in a encampment in Minneapolis tells his perspective on the ongoing crisis of homelessness.

Gitanos sin romancero(es)

A Deer Falling Into the Sea(es)

Vineyard III(en)

Crashing waves, the cry of a gull, silence.

Starlight(en)

A Tibetan Lama. His disciple. The disciple's wife, young boy and terrier. An old tugboat crossing the Mississippi River. A man in his seventh month of solitude. His hermitage built by his own hands. The man's bloodhound; his cat. Clouds crossing the Continental Divide. A mountain stream. A girl. The sun.

House of Children(en)

A glimpse of life as seen through young people at a Zimbabwean children's home.

Escape From Rented Island: The Lost Paradise of Jack Smith(en)

In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.

put the goat in the goat boat(en)

“Let’s think of nature as a big room. Nature is a room you know you’ll have to leave some day, most likely not by choice”. Heather Phillipson’s hallucinatory video put the goat in the goat boat explores endless declinations of nature—natural, naturing, finding a better nature, the nature construction, nature on loan, nature’s lack of nudity...—while revealing humanity’s ambiguous relationship to it.

Straits of Magellan: "Drafts and Fragments"(en)

A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAITS OF MAGELLAN: "DRAFTS AND FRAGMENTS" are all silent and unedited. Several invoke, directly, the work of the Lumieres, as in Frampton's reworking of DEMOLITION D'UN MUR (1895) in which a dilapidated farm silo is demolished in place of the Lumieres' wall. He makes reference to his own work and plays homage to the work of contemporaries. A complex range of formal issues are raised in other fragments. Finally, Frampton offers a number of analogues for the act of filming and cinematic seeing that includes a series of appropriated 'lenses' ( a stone portal, a wooden silo) and a set of 'screens' a pool of water, curtains, a dusty window).

Ablaze(en)

ABLAZE premiered at the 27th Singapore Film Festival, November 24, 2016

Living in the World(en)

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.

The Forest and The Sea(en)

A short film featuring a coastal forest and the rocky coastline of downeast Maine.

Behind The Jugular(en)

Behind The Jugular is a short animated documentary, featuring an ex-abattoir worker describing his experiences within the slaughterhouse. The film gives a raw account of the restricted and often ignored industry, intended to prompt the audience to consider, and reconsider, their ethical beliefs and values, and how they implement these morals in life.

Home in the Woods(en)

Using only nature and his immediate surroundings, filmmaker Brandon Wilson creates an experimental documentary that ignites the imagination of wandering in nature, and creates a loving portrait to the woods he calls home. Over the course of a year, Wilson set out to document— and accentuate—his surroundings through camera filters, angles, repetition, and audio. The end result is a hypnotic journey through the hidden wonders and beauties of the Northwest forests, in vivid colors and immaculate black-and-whites.

Home Movie: On the Set of Philippe Garrel's 'Le lit de la vierge'(fr)

An experimental and poetic portrait of a woman.

Actinosphaerium eichhorni EHRBG.(de)

On display are the movement structures of Heliozoa, the expulsion of food remains, plasmogamy, separation and temporary bridging, "phobia".