David Hockney: Joiner Photographs(1983)

Guten Tag, RDA !(fr)

The Electronic Super Highway: Nam June Paik in the Nineties(en)

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super Highway', which premiered at The Museum of Art in Fort Lauderdale, Florida, with recent installations, historical background and interviews.

Rubens(nl)

This surreal abstract film falls into three sections, or movements, the first taking place on the ground, the second in the air and the third again on the ground. In the first movement various motifs or themes are introduced, which are again picked up and developed in the third movement. Six spheres, evolved in the first movement, become the sole subject matter–or “dancers”–of the second movement, which consists of a simple type of ballet using the floor-plan choreography or traditional ballet as a basis of interest.

American Animals(en)

Lexington, Kentucky, 2004. Four young men attempt to execute one of the most audacious art heists in the history of the United States.

The Price of Everything(en)

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.

How to Die in Cinema(pt)

Memories of a parrot who participated in the filming of the classic Vidas Secas, in 1962, where it was featured along the puppy Baleia.

Comic Book Confidential(en)

A survey of the artistic history of the comic book medium and some of the major talents associated with it.

Instant Dreams(en)

There could hardly be a more telling contrast between the analog and digital eras than the beautifully blurry memories captured in a Polaroid picture and the thousands of pin-sharp photos on an iPhone. In this ambitious visual essay, Willem Baptist explores the visionary genius of Edwin H. Land, the inventor of the Polaroid camera. Even today, all sorts of people are keeping his instant dream alive. Former Polaroid employee Stephen Herchen moved from the United States to Europe to work in a laboratory developing the 2.0 version of Polaroid. Christopher Bonanos, the author of Instant: The Story of Polaroid, tells us, "When I heard Polaroid would stop making film, it felt like a close friend had died." Artist Stefanie Schneider, who is working with the last of her stock of Polaroid film, is using the blurring that occurs with expired film as an additional aesthetic layer in her photographic work.

Yayoi Kusama: I Love Me(ja)

Captures the avant-garde artist Yayoi Kusamas creative process as she diligently works to complete her series of 50 large monochrome drawings. As her work comes to life, one can witness the essence of her art as it wells up in the conflict between life, death, and love.

The Inexhaustible Creations of Yayoi Kusama(en)

Japanese avant-garde artist Yayoi Kusama is best known for her inexhaustible creations involving polka dots, pumpkins, and vibrant colors. Her love of design has seen her join forces with top fashion houses.

Disfarmer: A Portrait of America(en)

Mike Disfarmer, small town portrait photographer turned posthumous art star. This is the story of an eccentric curmudgeon and artistic icon whose powerful pictures of depression-era USA have left an unlikely mark on the modern Manhattan art world.

3 Still Standing(en)

Three stand-up comedians seek fame and fortune in the hottest comedy scene in the world: San Francisco in the 1980s.

Rand University(en)

Randy Moss has long been an enigma known for his brilliance on the football field and his problems off it. Sometimes there's even been an intersection of those two qualities. "Rand University" gets to that crossing by going back to where he came from - Rand, West Virginia - and exploring what almost derailed him before he ever became nationally known for his extraordinary abilities as a wide receiver.

Ningwasum(ne)

Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.

Maria: Don't Forget I Come From the Tropics(pt)

An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.

Cartoneras(pt)

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

Operation Welcome Home(en)

An original documentary, this film contains previously classified footage provided by the Defense Department. Included is an exclusive on-camera "host" appearance by General Colin Powell, actual archival and pictorial footage, interviews, narrative with celebrities and key military personnel and the returning home after Desert Storm.

Cern and the Sense of Beauty(it)

An exploration of the link between science and beauty through the work of scientists at CERN, in Geneva.

Cycologic(en)

And urban planner's journey to making the impossible possible.

1999(fr)

In the late 1990s, Moncton's Acadian community was forever marked when death struck an high school. In a sweet impressionist film, Samara returns to the city she fled as a teenager to immerse herself in memories that are still buried there, in various places and in dusty boxes containing diaries, photos and VHS tapes. 1999 is not a ghost story, although it is populated by ghosts. The snow-covered streets, corridors and locker rooms of the school are intact, as in a dream, but the absence left by the wave of teenage suicides still resonates with unanswered questions, trauma and regret. Samara meets inspiring people who carry with them great pain and who, 16 years later, can finally comfort each other by breaking a long silence. In the end, the film interweaves different voices and gives rise to a collective reflection on the internalization of mourning and the need to learn to affirm one's desire to survive.