Akkaldhamayile Pennu is a Malayalam movie directed by Jairam Kailas released on 20 November 2015. The film is based on a story of a woman gravedigger. The film was produced by Kasim Arikkulam and Ashik Doha under the banner of Pearl Media and Movie Productions. Swetha Menon, Malavika Nair, Vineeth, and Sudheer Karamana had the leading roles.
Mariyakutty
Saimon
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
The story proceeds in flashbacks as the protagonist, Dr. Gopi, who has had a nervous breakdown, relives his past under psychiatric probing.
Harry is a young millionaire on holiday; he takes his yacht to a Greek island, and stays in the mansion of his friend...
A hardened mercenary in the Foreign Legion begins to find his own humanity when confronted with atrocities during the fighting in Bosnia.
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp
A grieving Connecticut mother temporarily switches houses with a woman in Dublin, Ireland.
An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.
Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.
Envisaging a luxurious life, Prameela, a theatre artist, marries a director. But all her dreams are shattered when fate makes her the sole breadwinner of her family.
It is the story of a little hair salon in the heart of the Arab community in Haifa (Israel); it is the story of a friendship between Arab and Jewish women in the city, which is considered a model of coexistence; and it is the story of Iris, the director, who worked as a hair washer at the salon so she could get to know women of the neighbourhood. Through her interaction with the women, in this unique frame, Iris wishes to tell the story of the community from the personal experience of the film's subjects, and to explore what it reflects of Israeli society.
Docu-fiction about the harmful effects caused by the unethical use of the pesticide Endosulfan in the plantations of Kasaragode district of Kerala.
Prasannan, a recently released mental asylum inmate, claims to be an avatar of God and assumes the identity of Poornananda Swami.
Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.
Eldho is waiting to take revenge on Shauriyar, who killed his father and mother when he was a young boy.
Another mission with Mahadevan and crew, as they deal with international terrorism with a flight being hijacked by hardcore terrorists.
The story of a precocious six year-old and her ragtag group of friends whose summer break is filled with childhood wonder, possibility and a sense of adventure while the adults around them struggle with hard times.
In a village named Ilavattam there lives a man by the name of Gopalakrishna Pillai. He is a man with diverse qualities. Basically he is a moneylender, but not the avaricious kind. He lends money at very low interest-rates but makes it a point to get his money back on the date agreed upon. The story takes a turn when a bank, named Grand Bank opens up in the village, offering to give out loans at very low interest. The manager of the bank is a young lady named Jayalakshmi. She has made her entry into the village with a very definite purpose. All this, plus the very different kind of bonding between Gopalakrishna Pillai and his mother, form the plot, which develops towards a very interesting climax.