Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).
Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).
1977-08-30
5.6
Sonic sends TikToks to his husband Shadow everyday but Shadow never respond, Sonic thinks his husband Shadow doesn't love him and don't care about him, they fight and Shadow makes Sonic cry and now Shadow doesn't know what to do.
Picking up several years after the dissolution of the original Borgman team, this volume reunites the three remaining members--rocket scientist Ryo, his girlfriend Anise, and police officer Chuck Sweager--for the emotionally-driven episode "Lover`s Rain," which finds the trio facing an army of the undead bent on a rampage of murder and destruction.
After robbing a Moscow casino right under Zenigata's nose, Lupin is given a job to return 6 treasures to their original areas for an old friend of his, so Lupin can receive an even better treasure to gain.
In this third entry in the Superfly films, Priest returns to New York from Paris to find who is responsible for his friend's murder. With a couple of new friends, he attempts to bring the killers to justice while trying not to get into criminal activity like he did years ago.
“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.
Following two Water Australia employees who travel out along the Nullarbor Plain only to discover they are being hunted by the mythological creature, the Nullarbor Nymph.
Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.
BIFA-nominated psychological thriller. “Everyone’s got a secret, something they hide…” When a small time criminal returns to London he unravels a catastrophic secret about the murder of his brother. Twisting and turning, this dizzying journey into the mind of a criminal at his darkest hour keeps the viewer guessing until the final frame. An intense and mind-bending crime noir shot on 35mm.
UFC Fight Night 85: Hunt vs. Mir was a mixed martial arts event held on March 20, 2016 at the Brisbane Entertainment Centre in Brisbane, Australia. It was headlined by a heavyweight bout between the 2001 K-1 World Grand Prix and former interim title contender Mark Hunt and former two-time UFC Heavyweight Champion Frank Mir.
Due to a rental mistake, three families are forced to share a house in the Canary Islands, leading to chaotic and humorous situations as they try to live together.
Toni, a grumpy in his fifties, avoids children at all costs. His life changes when he suddenly has to take care of his sister's five adopted children, each from a different country. Toni will have to deal with new parenthood and cultural differences.
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.
For the first time, 8 Playgirl model-athletes share the same screen and playing field in the hottest, wildest, nude athletic competition. Their ripped, naked bodies strain against each other as they compete in five challenging events designed to show off every muscle of their stunning physiques. Watch them fight for supremacy in Bucket Ball Scramble, bounce ever higher in Trampoline Dodge Ball, use everything but their hands in Soccer Skirmish, strain for the lead in the All-Terrain Running Race, and get down and dirty in Naked Mud Wrestling. And after marveling at the power and strength of their exquisite bodies, you'll meet them one-on-one as each hunk eagerly shows off every flexing muscle of his stunning nude body. If Wide Nude World of Sports were on television, you'd never change the channel!
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
Michael Gondry's examination of childhood love is replete with his trademark surreality. One evening at the turn of the century, Stephane discusses with his brother the end of the millenium, but also girls, particularly Aurelie, a classmate with whom he is secretly in love. The following day, Aurelie has a letter to give to him....
Suzanne is waking up. In the fleeting moments before she forgets her dreams, she searches her subconscious for an answer to the question on the tip of her tongue. But can Suzanne learn to break free of her suspended state of being? Inspired by the Edward Hopper painting 'Morning Sun.'
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".
An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
In an anachronistic dystopian landscape, a beleaguered young man attempts to navigate his way through the indie film scene in LA.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
A musical audiovisual journey in four parts. A young man finds himself unexpectedly taking an audiovisual odyssey into a world of surreality, slowly recounting his memories, revealing the puzzle pieces that led him to where he is, and maybe how he can get out.
A homoerotic exploration of the Odyssey mixing black and white, color, and old film clips.
In this edition of Moulton's narrative series, the artist's character Cynthia suffers from Restless Leg Syndrome, and seeks relief in pharmaceutical ads on TV and in health magazines. In a domestic world enlivened with animated dance and mystic poetry (written and read by poet John Coletti), Cynthia finds relief in the healing mineral AION A, discovered by Swiss artist Emma Kunz.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.